It amazes me that as I sit here every day plugging away
at a mundane day job that some folks actually make a living playing music. They are fortunate to be able to make money
pursuing their passion. Isn’t that a
novel idea? I think so. Lucky are those who don’t have to subsidize
their passion with menial work to pay the bills to be able to afford the time
to do the REAL work.
Last night, a Tuesday and a proverbial school night, I
ventured into the bustling metropolis of Halifax with my friend Colleen and her
son Dustin to see the Sheepdogs with Yukon Blonde opening at the Dirty O. I confess
I bought the Sheepdogs second self-titled release but didn’t listen to it
much. I purchased it mostly because I
was obsessed with their single ‘The Way It Is’ but nothing else really grabbed
me. My second confession is that because
nothing inspired repeat listens I forgot I even had it until Colleen asked me
to go to the show and even then I didn’t listen to it much, mostly because I
was busy or distracted or an even combination of both.
The idea of seeing them live appealed mostly because I’ve
proven to myself time and again that often when an artist’s work isn’t holding
my attention from my stereo, when presented live, I tend to come away with a
completely different perspective. I
proved my own theory once again.
En route home from work I got really pumped thinking
about attending a live, sweaty, smoke-laden show at the Dirty O. It was something to look forward to after
waking up only to realize my alarm hadn’t sounded and I literally had one
minute to get dressed, brush my teeth and get out the door to work. I was in a panic but managed to get where I
needed to be on time without forgetting my lunch. Arriving home, I enjoyed a much needed shower
and polish and plunked myself down for a date with iTunes before hitting the
road. I listened to the whole Sheepdogs
record and turned to youtube to have one last listen to Yukon Blonde’s ‘Stairway’
(because I’m obsessed with that song too!) before taking it in up close and
personal.
Once at the Dirty O, early enough to beat the crowd that
would swell behind us, we checked our tickets, got our trusty wrist band, paid
a visit to the bar for warm beer and then the merch table so I could grab the new
Yukon Blonde CD (purchased right out of the hand of the guitar player) and we
took our place for the show and somehow ended up in the front row right against
the barricade. Awesome, right!? Works for me since I’m such a short arse so
no one was in front of be to obstruct my view of the rock ‘n’ roll goings on.
Yukon Blonde catapulted into their set with a wave of boundless
energy. From Kelowna, BC they delivered
their unique brand of indie rock to an appreciative crowd, approval resounding brassier
and bigger with each song played. I was
shaking what my mama gave me and maybe a little bit more for ‘Stairway’. I was really impressed with their cohesive
sound and their obvious appetite for playing music. A touring band is a good band. They are just another example of that. I don’t know the title of the song they ended
their set with but it started off moody and melodic, lowly lit with blue
hues. Instrumental homage if you will,
its crescendo climbed so slowly and languidly that it teased the senses. You could feel it, the calm before the storm
and the giant wall of sound that would result.
It came, washing over the crowd and ending in thunderous applause. I hope they visit us more often.
(Sidenote: I am
obviously an observer and I find the whole music scene on stageand backstage
fascinating, mechanics, set-up et al. What I really loved about last night is
seeing various members of the Sheepdogs camped stage-side watching their Yukon
Blonde brothers play like their lives depended on it. It’s camaraderie, it is respect. I really dig/dug that.)
Next, a brief intermezzo to break down Yukon Blonde’s
gear, as meager as it was (I mused while looking around the stage before they
came on and had no idea they had their own drums because it was so small and hidden
behind the Sheepdogs kit). The road crew
busied themselves with the business of sound, smoke machinery and superlative musical
instrument precision and perfection.
Checking guitars and carefully lining up cold cans of Heineken. Rock ‘n’ roll is a thirsty business after
all. During this time, I enjoyed banter
with my concert cohorts, fought with the tracking ball in my Black Berry
(upgrade coming soon) and jammed a little to the overhead music. I’m pretty sure the last song we heard was something
Creedence as I recall John Fogerty’s voice but it was soon squashed by a raucous
roar of welcome when the Sheepdog guys took the stage, picked up their guitars,
sticks and tambourines and tore into their set.
You know what I love about the Sheepdogs? I’ll tell you – while the music business
becomes bogged down with music made by computers and strung together dance-beats
(which of course have their place) the Sheepdogs harken back to a time when
music was simple and honest and earthy. Their
groovy, laid back brand of boogie-woogie southern rock made me feel like I was
standing in a frame of Cameron Crowe’s film (incidentally my all-time favorite
flick) ‘Almost Famous’, like an acid flashback to the 1970s. The Sheepdogs could easily have been on the
bill with Stillwater. I got caught up in
the feel-goodery conjured up by Leot
Hanson’s blistering guitar solos, Sam Corbett’s punchy drum assaults, Ryan
Gullen’s impressive bass lines, smooth organ sounds and even a little brass by
way of trombone. While I may have found
Leot to be mesmerizing to watch, Ewan Currie was the capital. He commanded the audience with ease, his
smoky pipes and deft skills ruled. I was
also (unfortunately) the recipient of a generous spray of Leot’s saliva that
flew from his mouth, one of the non-perks of front row. I hope I’m not pregnant.
(Photo taken by the folks at Q104. My head is directly under the bass player's knee.)
I don’t have any complaints about the show except for
they gave up ‘The Way It Is’ really early in their show considering it’s such a
smash hit right now. It’s a short ditty
on the record and felt like it flew by even faster live, likely because I love
it so much. I wish they had extended it,
added a solo or a booga-loo to make it last longer. When I first heard the song on the radio I
was thinking, “Gee, that sounds Black Keys-ish.” Turns out my ear is still keen, Patrick
Carney, the Black Keys drummer assisted them in the studio. Coolness.
It is safe to say that the coolest part of the show was
the encore. When the Dogs returned to
the stage, they invited Jeff Innes from Yukon Blonde out and then surprised the
blissed out crowd by welcoming our one and only, Matt Mays to the stage too for
a rousing sing-a-long of The Band’s ‘The Night They Drove Old Dixie Down’.
‘The night they drove old Dixie down
and the people were singing …’
Oh, and they were singing.
It was further accelerated when Yukon Blonde guitarist
Brandon Scott (the dude I bought my CD from) climbed up on the barricade
looking to crowd surf. With a little
help from a few of my friends we gave him a giant boost and watched him coast
over a sea of eager hands until he disappeared.
Hope he made it out.
I left the venue feeling revitalized and sanctified by
the powers of rock ‘n’ roll, happy to have shared a killer show with my good
friend and her uber-cool spawn. For a
band I knew so little about, they really impressed me.
No poetry today.
It’s all about the rock show. I
feel like I have smoker’s lung today.
The fog machine was in full steam and I still have a bit of a cold
lingering so sometimes my voice gets squeaky.
In rock, we sacrifice.
All for now, keep on rockin’ in the free world.
In propinquity,
Nic