Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Friday, June 14, 2019

High School Confidential



High School Confidential

I absolutely hated high school. Loathed every torturous second. It isn’t because I went through primary to ninth grade with the same crew, or that we’d be going to school outside of our community, or because the year before we were slated to go there was a race riot, or that on my first day of tenth grade while opening my assigned locker a pimp dropped his digits on a piece of scrap paper on my book bag and spent the first few weeks sitting dangerously close to me in Biology class – it just sucked the life out of me. Sure, the friends I’d come up with scattered like flies once we were bused out of Eastern Passage to Cole Harbour High. Most of them went on to do wonderful things and forged new friendships that have lasted them a lifetime. I decidedly did not. I was a library rat. I hung out in the hallways at lunch and talked to nerdy kids about music which I quite liked. I faked sick a lot so I could stay home. I had teachers I didn’t enjoy. I wasn’t engaged and I most certainly did not apply myself. I was one of the loners. It didn’t help that in my first Honors English class, sitting with all the popular Colby kids my teacher passed judgement on me quickly based on my appearance. He singled me out and quipped, “Where are you from? Let me guess, Eastern Passage.” I nodded, annoyed at his tone. “I thought so, you’re wearing black.” Big whoop. I had a black sweatshirt on with my jeans, the gal beside me was wearing a black sweater too. Brand name but still black. What kind of teacher says that to a new student? Any student? What kind of educator passes judgement based solely on appearance and geography? For good reason, I disliked him immediately. He did the same to fellow EPer a few rows over. He was wearing a leather jacket with an Iron Maiden patch on the back. A smart kid, with a well work copy of ‘Cather In the Rye’ in his back pocket. Our lovely teacher teased about his ‘hockey hair’ which was hilarious to me considering the meat head sitting in the desk in front of me an actual hockey player and dumb as a stump. But I digress. I was happy still have a few of my good friends from ninth grade in my corner. One of which was my wing woman the day I got in the biggest trouble of my teen years.

Music saved me during those years. Listening to it, feeling it, digesting it, dissecting it, absorbing it, wearing it, speaking it, wolfing down articles and liner notes, wallpapering my room with rock posters, and waxing poetic with anyone who would engage in lyrical discourse across all genres but in high school, I developed an affection on hair metal. It started at TC’s house watching endless hours of ‘Pepsi Power Hour’ on Much Music. She was obsessed with Faster Pussycat. And, it goes without saying that the harder and faster the music, the higher the hair got. BR was a massive Def Leppard fan who I was already familiar with because of Rock Star Brother. We all overdosed on and rocked out to a shoe-box of well-worn cassettes, GnR’s ‘Appetite For Destruction’, Crue’s ‘Shout at the Devil’, Poison’s ‘Look What the Car Dragged In’, Warrant’s ‘Dirty Rotten Filthy Stinkin Rich’, Whitesnake’s ‘Slip of the Tongue’, and of course TC’s beloved Faster Pussycat’s ‘Wake Me When it’s Over’ – the box was full of the hair metal standards. It was the one side of myself I could share with my friends, the side of them I could enjoy. I also had, at the very same time, a deep love for my new romantics and 80s pop. It was like having a split personality. I’ve always been one of those people, I like what I like, and I don’t care what anyone else thinks about it. Especially when it comes to music.

I was particularly smitten at the time with metal sty-lings of Slaughter. I ordered ‘Stick It to Ya’ from Columbia House and practically chained myself to the mailbox waiting for it. I mean I had to have it to learn every single lyric to every single song since Way Cooler Big Sister scored us tickets to see them (and Winger) open for KISS (sans make-up) in Halifax. I was impatiently counting down the days until the show, crossing them off on the calendar in my student handbook. And then our plans went down the shitter. Paul Stanley ran into a guardrail on stage in Johnstown Pennsylvania and cracked his ribs. His injury resulted in KISS’s Atlantic Canadian dates in Moncton, Halifax, and Sydney to be canceled. I’m pretty sure our hearts were more injured than his ribs. We. Were. Devastated. And then, the silver lining.

BR and I got wind that even though KISS had canceled the show, the boys from Slaughter and Winger were making a pit stop in Halifax for an in-store record sesh. It was a workday for Way Cooler Big Sister, so she couldn’t go. My Mother told me, even though it’s a school day, if Father Mine says it’s okay, I could go. Sigh. I dialed his work number with Devil horns crossed, praying to the Metal Gods he’d be agreeable. He was not, “There is NO way in HELL you’re skipping SCHOOL to go traipsing around with a bunch of god damn rock stars. You’re well too. No. You’re going to school.” I committed a sheer act of rebellion. I lied to my Mother and told her he said yes. There was no way I was missing the chance to go hang in a record store with Slaughter. I was a good egg, I never disobeyed direct orders. Odd if you think about it since I grew up with adults my whole life, you’d think I’d want to let my freak flag fly. But I respected my elders, for lack of a better word, and minded my manners. I knew early on that doing the right thing got you so much further in life than bucking the system. And really, it just wasn’t in my nature. I was a square peg tightly squeezed into a round hole.

It was a perfect day. I woke up to the sun shining. And, by some stroke of pure luck, as I was walking down my driveway to leave, Way Cooler Big Sister was walking up, hands full of mail. Guess what had arrived? At that exact moment? You guessed it, my cassette! I thought I’d have to buy a second copy for them to sign but Canada Post came to the rescue. I met BR and we bused across the bridge to Barrington Street. In those days, A&A Records and Sam the Record Man were across the street from one another. I confess, I spent far more time at Sam’s but on this day, A&A is where I needed to be. It’s where Slaughter would be, signing stuff. I wasn’t as big a fan of Winger, but they’d be at Sam’s, so we’d kill two birds with one stone. Us two teen queens parked our Jack Daniels sweatshirts in line. And waited. And waited. Like forever. Until there they were, behind a long table ready, willing, and armed with Sharpies. The first member of the band we met was the sweetest. He signed our stuff and smiled appreciatively. It went that way until we were standing before the owner of the dynamic voice who sang our favorite song at the time, ‘Fly to The Angels’. To our I guess visible dismay, he was less than gracious. He wouldn’t look up at us or reply to our kind words and request for a photo with him. Complete ignorance. Their drummer, who was sitting next to him, waiting patiently for us to come his way caught the whole disappointment and invited us around to take snap a picture. He made the day and I couldn’t wait to have it developed! We left A&A a little less impressed. Who am I kidding!? A lot less impressed. It stuck with me because when MySpace became a thing, I took advantage of the platform to tell that singer, just what I thought of him while minding my manners at the same time. BR and I popped over to Sam’s to see if we’d have better luck with that crew. The band were all there. Kip Winger, from the whispers I heard, was AWOL. We didn’t really know what to do so we fake-browsed through the records and tried to further eavesdrop on all the nervous chatter coming from the band. Kip eventually emerged. To me, he looked a creepy ass decrepit vampire in desperate need of a serious blood bath. His seedy eyes were heavily lined, his sneer insincere. Who were we kidding, he was whacked right out of his heavy metal gourd. I took note of the long fingernail on his right hand presumably used to play his bass but more likely doubled as a coke spoon. It was ghastly filthy. I didn’t approach him because he wigged me out too much, but we did enjoy the banter with his band. Super nice fellows. Much like those who frequented our basement with Rock Star Brother throughout the years.

When I got home, I excitedly imparted every detail in warp speed to Way Cooler Sister. And, then the phone rang. Father Mine found out (someone totes ratted me out) I blew off school to go to Halifax with my bud. He was livid. Never had I ever heard those kinds of words come out of his mouth. Ever! I am sure the other five did at some point, likely more than once, holy snappin’ assholes he was wild. He called me a few choice names and did the whole ‘if you EVER do that again’ speech but his voice trailed off.

It was like the opening montage of a Twisted Sister video. Imagine, the one and only time I got into riotous trouble was because of rock ‘n’ roll. I’d sold my soul, what can I say.

***

I saw something on the social media that reminded me of this day and the enclosed photo. I had to add it as a creative non-fiction piece for my project. Of course, years later, we laughed about it, Dad and me. Doesn’t mean he still didn’t shake his head and tell me he thought I had more sense. I joked with him and said, “At least I didn’t run away and go on tour with them!” Back then, I just might have. Who knows …?

In propinquity,
Nic





Tuesday, February 5, 2019

Of Song



Of Song

on a
night of February
torrents and squalls
I sat vigil, ear to the
radio
            a songwriter
pooled his lyrics
stark admissions
of what estranges, in
stereo, it
felt like
thousand s of
fingers moving through
me      
            as he described
the advantages of what
plagued turning
into art
the fire
he brought was beautiful
with no mind of the cost
to his awareness
                        and then it
befell me how we
respond
rocking and rolling
up and down amid pulsing
crowds of warm beer cups
bellowing
            a songwriter’s
words back in fast-paced
glossed-over empathy
in unison
the kind of compliment that
            might drag a hero to
hell
            night after night after
night

***

It was something that struck me. Thinking of someone writing their inner-most thoughts down on a piece of paper, inside of a notebook, on a bar napkin or the flap of a cigarette package.  It hit me, an artist culling all of their demons in to put expel them in song.  
I have great respect for artists who do this, in any medium. But, those who climb up on a stage and bleed for us, with us, are extraordinary.

This poem is a direct reaction to the wonder of what it must be like to be laid bare for the world, your soul wide open to a room full of people. What’s it like when those looking up and singing back at you identify? What’s it like when they don’t? What’s it like when you hear a million hurts being sung back to you? What’s it like to have them fall on deaf ears? I wonder. I wonder. I wonder.

I love songwriters. I admire their candor. I hurt because they have, rejoice when they overcome, and appreciate that I can find myself in their works. Music is medicine, it saves – the songwriter, the listener. Its catharsis, therapy, healing.

A little Teapot update to tide me (maybe even you) over until I’m finished a new piece of short fiction.

In propinquity,
Nic



Wednesday, February 10, 2016

Mayor of 42nd Street


Mayor of 42nd Street

somewhere there is a
90 minute cassette tape of
nebulous hobo poetry read
aloud from a moving 1949
Hudson Commodore Sedan
in the deepest, most tender
                & musical voice of
 a pallid & puckered hustler
                who
jumped trains across the cosmic
spread of a stained republic
thieving endless marble skies
& small towns of aching beauty
                his
was a galaxy of vilified vagrants
loose ladies & sad sailors
heroin hearts & beggars
                junk-sick surrealism
despite his disreputable pursuits
street slang and searing honesty
a boutonnière clung to his lapel
his manners
distinguished him
ecstasy was exile
illumination pithy
                drunk & happy 
the Mayor of 42nd Street
                an exaggeration
                of beatnik blues
                midnight mouth
there are so many                      
footnotes to Howl
                songs of the damned
sound
                on 42nd Street
this is a bad short story
about a rich bastard anti-hero

& his taxi suite counterparts

**

I came up to my writing room tonight with the best of writing intentions, I was excitedly distracted by a music conversation with my best girl. That led me to blanking on the title of a song I had a urgency to listen to. I sent a text to a friend who wasn't answering quick enough to quench that thirst so I went digging for it in a stack of old mixed CDs. I was 'supposed' to be finishing this poem but was seduced by a mountain of music I haven't heard in ages! I imported a slew into my iTunes. I soon had to discipline myself, put the books away and focus back on the page.

I haven't been sleeping well this week so I thought perhaps I'd move away from the TV and see if creativity could tire me. How silly! I'm wildly overtired and thirsty. I'm a weirdo.

One more song, maybe two. Then bed.

In propinquity,
Nic

Monday, January 11, 2016

Rise, Lazarus, Rise



Rise, Lazarus, Rise

equal parts angst and apocalypse
lean, bonk-eyed, snaggle-toothed
aptly androgynous and alien-like
other-worldly, infinitely changeable

Ziggy Stardust
Thin White Duke
Saint Obscurantism

emerged a newfangled enchantment
with strange abrasiveness and allure
space-boot deep in interstellar arrogance
a fragmented ideal of indecent cathexis

and then beyond the grave a black star
man-made moon over a galactic sandbox
an affluent splatter on a senseless canvas
emancipating the command of plastic soul

I look up, you’re in Heaven, man

ashes to stardust

rise, Lazarus, rise …

**

David Bowie is immortal. Or I believed him to be. When I woke up this morning, barely cognizant, accidently opening Facebook trying to swipe my alarm off, I saw a farfetched post:

“What? David Bowie died?”

My eyes snapped wide open. Just a hoax, yes?  An injudicious rumour. Silly internet trolls.

David Bowie died.

Tears. Heart broken. Surrealism personified.

I am, for lack of a better word, gutted. How we live without Bowie, I’ll never know? Yet, he’s left an extraordinary body of work to be explored, celebrated and to emulate.

In truth, our hero had taken sick. He knew his fate, what was awaiting him. So, in perfect Bowie fashion, he executed a perfect plan, to expire with infinite grace, leaving us with one last immeasurable gift, a goodbye letter to the world. Just fucking wow.

It’s funny, when I watched the ‘Lazarus’ video on January 7th, I was excited. A new Bowie record, a possible tour, he’s always been on my bucket list since missing him in Moncton all those years ago.  At the same time, I was unnerved. The video, the song, it had an ominous tone, made me feel a little uneasy but given the losses I’ve endured I thought perhaps that’s why it felt a little extra weighty. I certainly did not see this coming, his passing. I was sad to learn of Lemmy’s passing and Bowie, straight on the heels of it: two imperative icons gone, in one fell swoop. Fuck cancer.

I have waded through this work day with a heavy heart, spinning his songs over and over again, pecking at the above poem because I don’t know how else to express my gratitude, my sadness and my awe for someone who has been a part of my life, my personal soundtrack, forever.

Rest easy, David Robert Jones. You will be missed by all 4 billion people on this planet.

Thank you for your gifts.

You were everything.

In propinquity,

Nic

Tuesday, November 17, 2015

Bataclan Angels


These are my people. Beautiful, vibrant faces gathered for the sole purpose of filling their ears and spirits with the euphoric romp of the rock ‘n’ roll. These are my people, elated and adrenaline-filled, mashed up against barriers, buds and strangers, beer sloshing, dancing machines righteously singing their lungs out until it hurts. These are my people, who came to rock and spill into the streets drenched in sweat, high on the power of live music.

My intention is not to write a large, emotional missive on terrorism, my thoughts on it or the plight of refugees in the middle east etc. I will leave that to the fancy news makers and the grossly opinionated and uneducated.  My intent is to simply and lovingly pay tribute to my people, the people who worked for the weekend to arrive at a Friday night that was to hold adventure and the awesomeness of Eagles of Death Metal. My people, had no idea that stepping out into  the Paris this night would cost them their lives. For that, I grieve an indescribable ache.

I have been where they were. Not at the Bataclan, not in Paris, but in their shoes: worked to the bone Monday to Friday, anticipating a night certain to nourish my ravenous core by way of the power and indecent decibel of rock ‘n’ roll enhanced by quality time with my buds, and exultation of it all happening right in front of you. I live for that. I always have. I am sure so many in that theatre on Friday night did too.

My heart goes out to those people whose lives were taken so senselessly, in such a callous and violent manner: young effervescent individuals rife with potential and vigor. My prayers go to those they’ve left behind, family, friends, colleagues, and their dreams. My heart is also extended in love to those who were inside and escaped with their lives or who still struggle with their injuries.

I cannot pretend to understand what they’ve been through, but I’ve been where they are: in the front row, amped up, starved for live music, the escape and the potent freedom it engenders.

The next time I am where they were, the time after that and so on, I will think of them, honour them, my people. Music, the universal language - is dedicated to you.

In propinquity,

Nic

Saturday, January 18, 2014

Saturday Solace



So, here I am in my neighborhood Starbucks.  I am drinking coffee, writing on my laptop and feeling the weight of the world separating from my psyche.  This day, a grey Saturday, is vital for re-energizing my creative spirit.  I am moments away from finishing the first draft of my epistolary tale (still struggling to title the beast) and I am both elated and terrified.  It is the first piece of prose that I have ever finished that is over ten pages.  It clocks in at thirty one.  I’ve been working on it so long I feel like I need eyes so I’ve enlisted a friendly reader for a test run, someone whose opinion I trust.  I think sharing this monster will be helpful, to see what I’ve missed and what I should omit.

It took a long time to realize the story’s ending.  And, when it revealed itself I was quite taken aback.  I hadn’t expected that kind of ending but alas it is not my story it is Imelda and Brucha’s tale and I have to be true to their days.  But, the burning question STILL remains, what the blazes is this story called?!  It will come, it always does but I am so used to writing with something that is already titled.  This is something new for me.  I already have the title for my next piece so you can see why this is such a conundrum.

This whole life with a laptop thing is most excellent.  I bought a travel bag for my goods last night, something shiny, red and swanky.  In addition to the freedom it brings from being chained to a desk, it allows me to be outwardly inspired because I can write in coffee shops and wherever the wind blows me. 

I think I may try my first ever fish taco today before I venture home.  It’ll give me more time to muse on a title and today is one of those days where something new is just what the doctor ordered.  It’s been a long week of work and worry and restless nights so I am taking comfort in the little things, the creative things and new tastes, experiences and not missing the moments.  I may even dance tonight.  We shall see.

In propinquity,

Nic

Monday, May 27, 2013

SoCal Rescue


SoCal Rescue

a house in Laurel Canynon
full of Joni Mitchell records
walls lined with used books
hazy artists roaming the halls

&

the smell of slow burning incense

saved my life

**

Poopy Monday.  I'm still tuckered out from staying up too late on Saturday night.  3am is waaaaay too late for me anymore.  I've ceased being a party animal and while I still love to have fun and enjoy myself, late nights destroy me now.  I spent most of yesterday yawning and fighting to stay awake so I would actually sleep through the night.  I settled in really early, watched 'The Dark Knight' and passed out cold.  I'm still a bit loafy tonight but it was worth it being able to help dear friends celebrate their engagement.  I am going to treat myself to a few new episodes of 'Arrested Development' after I finish a second stream of Matt Epp's new record 'Learning To Lose Control'.  It's MASTERFUL.  I am FULL of goosebumps.  I can't WAIT for his show in June.  His work is so beautiful and soulful, he always inspires me.  I always like to think of my heart was made of music it might sound like his work.

Just a wee poem today.  To the point.  Simple yet heavy.  If you feel this poem, you know exactly what it means.

In propinquity,
Nic

PS - I didn't write much else today.  I opened 'Hardscrabble' to correct a few typos and add a few bits just before my day ended.  It's still in the front of my mind.  I can't wait to write more!




Thursday, May 16, 2013

White Falcon


White Falcon

a guitar gradually moans
until it hollers and howls

under the spell of a man
discreet about his survival

postured
confessional

under an unforgiving light
in stacked heel cowboy boots

resourceful narrator
ingenious raconteur

deploys the white falcon
a propulsive amalgam of

succinct winsome dialect
impulsive rash upsurges

arresting patent passion
meticulous marauding

striking five hoary strings
on a wide hollow body

solid spruce arch-top
and laminated maple

strong back curved sides
burnished laced in gold

white layered binding
ebony neck pearl inlay

clean white lustrous form
sleek golden pick-guard

illustrious gold engraving

the falcon
mid-flight
                symbolic

sonic
sensual
symbiotic

rock ‘n’ roll
hierarchy and a hat
jeans and leather coat

and a guitar
too imperial to ignore

**

The anniversary show at The Carleton last night was fantastic.  I really enjoyed listening to two Canadian bands I'd never heard of before.  It's such an intimate atmosphere in there too which adds to the stellar groove of any evening spent there.  I had a good time with my new friend, Heather, discussing writing, music, Jim Morrison, Halifax vs Moncton and various other topics, all accompanied by good music and a nip of wine.  

The subject of Billy Duffy, The Cult and his signature guitar, a Gretsch White Falcon came up.  We discussed the awesomeness of the instrument at great length and mused on its beauty and its place in the rock 'n' roll spectrum.  

I kept thinking about the cover of The Cult's Sonic Temple tour program cover and who woulda thunk a poem would formulate.  

In other writing news, I started a new short story.  EEP!  I thought I'd take a wee breather and stretch my creative muscles but I guess if poems are still coming and I'm still getting the whispers all is right with the world.  This current story, title already firmly in place, 'Hardscrabble', has had me giggling up a storm.  I wonder if my rampant viewing of 30 Rock has anything to do with the fact there's a comedic element to it?  I look forward to see where it goes.  Going easy with this one, letting it unfold as it will, the same as I did with 'Mute' which people really seem to love much to my delight.

Long weekend is looming!  One more work day and I'll have three glorious days to myself.  With any luck I'll get an artist date in this weekend and see where 'Hardscrabble' takes me.

Hug your people today!  Just because you should.

In propinquity,
Nic



Sunday, April 14, 2013

A Thousand Kisses Deep - An Evening with Leonard Cohen


My bucket list is one item shorter.  Leonard Cohen played a sold out show last night in Halifax, almost four hours of his best work accompanied by a band and their gorgeous talents collected from all over the world.

The stage was set like a European dream.  Lush Persian-style rugs, red velvet chairs for the musicians and long white curtains cascading down and throughout the show turned all sorts of colors by the ambient and precise lighting.  He also had two large video screens for those far away from the stage.  Where we were sitting, in the nosebleeds, the show was projected on the white walls so we could see.  My seats may have been high up but we were next to the stage so I could see just fine, he was just a bit smaller.  It didn't matter much to me because I was sharing air with a literary hero and it served as a defining moment for me.  I've seen hundreds of shows but this one was miraculously different - it was life changing.  The pristine sound of a finely tuned band, Cohen's sub-baritone husk and his words, that poetry.

I was submerged in a quiet ecstacy while my lovely childhood friend struggled to keep her eyes open.  I commend her for going with me to something that wasn't quite her cup of tea for me to be blessed by the presence of a hero.  That's a good friend.

The show had so many incredible moments but they all blended seamlessly together with ease quelling any anxieties that raced through my body from my daily life.  In those soft hours, nothing else truly mattered except for Leonard's deep crooning and the intricate design of his poetics.

He is a tremendous performer.  Grateful for his audience he refers to as 'friends', respectful of his handsome band and dedicated to his extensive and extraordinary body of work.  He opened his almost four hour show with 'Dance Me To The End Of Love' and built an impressive tower of song until intermission.  The defining moment of the show for me, when the tears came streaming down, was his stunning spoken word delivery of  'A Thousand Kisses Deep'.  His band exited the stage, Cohen stood in a bright white spotlight and whispered the lines.  And of course, his launch into the universally beloved 'Hallelujah' was another emotional moment.  Perhaps one of the most iconic and celebrated songs every written.  The only other thing next to the perfection of Jeff Buckley's heartbreaking cover of the song that could ever compare is hearing Leonard Cohen perform it live.  A single moment really can alter your person, re-align your soul. cleanse your spirit.  

Cohen treated the Halifax audience to three encores and if he'd been allowed he probably would have played on.  It was a beautiful night and I not only walked away richer in spirit but with my arms full of amazing merch.  I rarely buy merchandise at concerts but last night I bought the program, a coffee mug and a limited edition Moleskine notebook with Cohen embossed on the front in gold and the quote 'stop writing everything down'.  The notebook was a bit pricey but I didn't just want it, I needed it.  I needed it because it is akin in a sweet way to the first few lines of my new short story denote a Moleskine notebook and its importance to my character.  In a silly way that only I would associate, it seemed like a sign.  I have learned hard lessons about following and not following signs over the past three years and this one was a sign worth following.  I can't wait to start a new story and start using my book to fill up with notes and ideas, some old and some new.  Maybe even a few borrowed.

I also was in love with his audience.  I bantered with several concert-goers and they shared their Cohen stories of their youth and mused about him and Joni Mitchell and other music that peppered the soundtrack of their lives.  And I loved seeing small kids with their parents taking their seats.  What an incredibly profound and culturally rich experience for them.  I recall one little girl holding her Mom's hand, wearing a pretty dress, black paten leather shoes and leotards carrying a long-stemmed red carnation in her hand.  It moved me.  The whole night, from the fun dinner Colleen and I shared at Midtown Tavern before filing into the Metro Center to the pure power of the show, was perfect.  

Cohen mused he hopes this one isn't a farewell tour and I also hope for the same.  I would do that all over again in a heartbeat.  I hope he returns.

My bucket list is one item shorter but I feel like my humanness has deepened and I left the venue vastly different than when I entered.  For the better.

Thank you Leonard Cohen, for being my man last night.  A gentleman.  You are absolutely everything a hero is made of.

In propinquity,
Nic

My loot.





Thursday, April 11, 2013

Rock Ranger


Rock Ranger

equal parts peace and promise
animate talent louder than bombs
& a pure hurricane-chasing heart

full throttle classic rock ranger
you were an exhilarating surprise
& fused unbridled passion in your stride

this extant twinkling passes by slowly
without your patient dreams dancing
& joyous flashes of musical quick fingers

on the back of a postcard from the road
it simply reads JS, we wish you were here

come back home Jay
                into the light

for you the pursuit of rainbows
on the other side of midnight

will never expire

absence will not quell your golden voice
it is absolute truth you will never be gone

in our bones your music remains


 **


I met Jay Smith twice.  Friendly banter ensued but mostly it me waxing poetic about his performances and him being graciously thankful I enjoyed it.  There may have been a pun or two in there as well, not from me though, surprisingly.

I saw him play several times, on stage with Gordie Sampson, Matt Mays and on his own.  I admired his natural ease, his raw talent, his love of music fiercely evident in his on stage antics and in his voice.

His passing made me profoundly sad.  Too young, too much left to do, see, write and places to play and people to wildly inspire.  Too much living for him to do.  I was so moved at how quickly our incredible tight knit music community here on the East Coast and Canada wide rallied together in both mourning and in celebration of their fallen brother.  I have the utmost respect for Matt Mays for finishing his tour despite their tragic loss.  It takes good humans to carry on and for that Matt and his band have my infinite admiration.

Regardless of the reasons Jay left this world, he awoke in all of us a certain kind of reverence, a great deal of happiness and the music that will continue to color the world and represent his truest essence.  For that, as a fan, I am grateful.

I attended a benefit concert on Sunday evening in support of his little ones, his family.  His musical brothers and sisters filled up the stage with emotionally riveting performances.  It was a love fest.  A celebration.  And, even though for much of the time tears came, there were warm moments of remembrance and tribute from his sister, his wife and his band. 

I’ve been trying to articulate for days what that was like to be a small part of that but I really still can’t.  So, I wrote a poem.  I’ve read over a hundred times and it feels cliché to me because there truly aren’t words beautiful enough for Jay.  But, I tried.

It is difficult to watch people lose their dearest friend, their son, brother, husband and father.  It is difficult to know someone so admired was in pain.  It is simply difficult to lose the things and people we love.  The trick is to know how to celebrate them when they are gone from us.  I will continue to listen and celebrate, for his life, his memory and those who loved him most.  And judging from the crazy amount of love he generated I am certain his gifts will be paid forward, time and again.

In propinquity,
Nic

Jay Smith
1978 - 2013
Rest peacefully, Rock Ranger






Sunday, February 17, 2013

You Would Stay


My weekend was full.  I had a vacation day on Friday so it was a three day weekend for me.  I woke up on Friday to gorgeous weather, threw on a hoodie and jeans and went out into the sunny world.  I did some errands and parked myself at Emma's Eatery for brunch, a pot of tea and some quiet so I could sit and write a long glowing letter in favor of her dynamite short story she sent to me in the mail.  That was peaceful and such a lovely way to spend my first day off.  

I received sad news the evening before that a sweet friend passed after a long battle with a terrible condition and being an American, an inhumane war with health insurance.  No one in this world will ever convince me that the Canadian way is wrong.  I believe all human beings have the right to quality health-care, not just those who can afford it.  It's criminal and wrong.  It isn't socialist.  It is right and just and it pains me to know that if her health care situation had been better, she may have survived her affliction.  It makes me angry, so if you ever plan to argue that the American healthcare system is superior to ours, you will lose.

Friday evening was a blessing.  I had reservations for Yuk Yuks Comedy Club with Erica, we purchased tickets weeks ago in support of a friend's kid's hockey team.  I was grateful for the laughter and time spent, it eased the ache and some of the sad.  Laughter is good medicine.

Saturday was a family day.  My nephew is moving west for his job, climbing power lines so a good portion of my big immediate family gathered at my brother's house for beer, chowder and socializing.  It was lovely even more-so, feeling sad, to spend time surrounded by my people.

It was hard to stay up late last night but in honour of our friend, a group of us all across the globe, even as far down to New Zealand, all tuned in online for the Retro-Redeye Express radio show.  My amazing friend Sunshine does this show on KKFI in Kansas, public radio at its finest. Weekly she spins a great cross section of new wave, alternative etc music that I love.  She's great at it and last night she had Harold in studio with her, another friend from LA who joined her for a guest DJ spot.  It's like we were all holding hands, holding hearts and laughing together, in honour of Becki and in kinship.  They are all such tremendous humans, I'm so lucky to know them and have them in my corner.  It was a welcome circle.  Always is.  I was dead tired when I crawled into my bed but it was well worth it to spend time among family and know we are all thinking, feeling and depending on the collective spirit to  wade through the heartbreak.  Sunshine and Harold were excellent together, was great to hear their voices and the songs they played, one hour of covers and rest of the show, a stellar selection.  Any show featuring Annie Lennox in the soundtrack is good for me.

It's windy and rainy here today.  I made pancakes and tea for myself and planted myself in this chair for a quick blog.  I have little desire to return to my 6am alarm tomorrow but such is life.  Today is made for laundry and lazing.  I plan on doing little else.  Bit of daydreaming perhaps, a little TV and a great deal of folding things.

I leave you this Sunday with a poem I finished tinkering with this morning:


You Would Stay

you

would stay one of the wandering forever
my friend who still believes in Heaven

it is a mystery how much of your heart
still hunts for someone to listen to you
still aims for someone to be amazed you
were fed by a dream too big to breathe in

you

would stay one of the lonely people always
my friend who often hides from kindness

it remains your biggest secret buried deep
in the frozen tundra of your human hinterland
unaware that one instant of joy contains
the invisible sum of pure love plus all time

you

would stay one of the vagrant pulled threads
my friend who still hangs rose patterned curtains

it is known your story is so much longer than most
a thousand pages of preemptive commentary with
anonymous changes endorsed by a wily saboteur
shutting out your voice dimming your lightness

you

would stay hidden in a mournful shroud of sadness
my friend who still secretly longs for human heartsong

to protect those peopling the center of your universe
to accommodate them with possibilities already present
a common height aligning shadows in expensive grammar
a fortuitous elegance bestowed on every star that falls

you

who would stay one of the wandering for all time
sacrifices too many flowers for the duplicitous weeds

you are prefaced by greatness
rise

**

Just a quick reminder to you, love your people with all your might.  Life is so precious, unpredictable and fleeting.  Don't waste it being angry, holding grudges or being whiny and negative.  Search always for the best of what you have and who you have.  Celebrate that goodness, their cheerfulness.  Our time  here is too short to resist happiness, to be too cool to care about anything, to be aloof and crass.  Start everyday with love, with kindness.  It'll return to you tenfold.  I promise.

In propinquity,
Nic

Rest in Heavenly peace, Becki. <3

Wednesday, November 21, 2012

Sheepdogs Cometh


It amazes me that as I sit here every day plugging away at a mundane day job that some folks actually make a living playing music.  They are fortunate to be able to make money pursuing their passion.  Isn’t that a novel idea?  I think so.  Lucky are those who don’t have to subsidize their passion with menial work to pay the bills to be able to afford the time to do the REAL work.

Last night, a Tuesday and a proverbial school night, I ventured into the bustling metropolis of Halifax with my friend Colleen and her son Dustin to see the Sheepdogs with Yukon Blonde opening at the Dirty O. I confess I bought the Sheepdogs second self-titled release but didn’t listen to it much.  I purchased it mostly because I was obsessed with their single ‘The Way It Is’ but nothing else really grabbed me.  My second confession is that because nothing inspired repeat listens I forgot I even had it until Colleen asked me to go to the show and even then I didn’t listen to it much, mostly because I was busy or distracted or an even combination of both. 

The idea of seeing them live appealed mostly because I’ve proven to myself time and again that often when an artist’s work isn’t holding my attention from my stereo, when presented live, I tend to come away with a completely different perspective.  I proved my own theory once again.

En route home from work I got really pumped thinking about attending a live, sweaty, smoke-laden show at the Dirty O.  It was something to look forward to after waking up only to realize my alarm hadn’t sounded and I literally had one minute to get dressed, brush my teeth and get out the door to work.  I was in a panic but managed to get where I needed to be on time without forgetting my lunch.  Arriving home, I enjoyed a much needed shower and polish and plunked myself down for a date with iTunes before hitting the road.  I listened to the whole Sheepdogs record and turned to youtube to have one last listen to Yukon Blonde’s ‘Stairway’ (because I’m obsessed with that song too!) before taking it in up close and personal.

Once at the Dirty O, early enough to beat the crowd that would swell behind us, we checked our tickets, got our trusty wrist band, paid a visit to the bar for warm beer and then the merch table so I could grab the new Yukon Blonde CD (purchased right out of the hand of the guitar player) and we took our place for the show and somehow ended up in the front row right against the barricade.  Awesome, right!?  Works for me since I’m such a short arse so no one was in front of be to obstruct my view of the rock ‘n’ roll goings on.

Yukon Blonde catapulted into their set with a wave of boundless energy.  From Kelowna, BC they delivered their unique brand of indie rock to an appreciative crowd, approval resounding brassier and bigger with each song played.  I was shaking what my mama gave me and maybe a little bit more for ‘Stairway’.  I was really impressed with their cohesive sound and their obvious appetite for playing music.  A touring band is a good band.  They are just another example of that.  I don’t know the title of the song they ended their set with but it started off moody and melodic, lowly lit with blue hues.  Instrumental homage if you will, its crescendo climbed so slowly and languidly that it teased the senses.  You could feel it, the calm before the storm and the giant wall of sound that would result.  It came, washing over the crowd and ending in thunderous applause.  I hope they visit us more often.

(Sidenote:  I am obviously an observer and I find the whole music scene on stageand backstage fascinating, mechanics, set-up  et al.  What I really loved about last night is seeing various members of the Sheepdogs camped stage-side watching their Yukon Blonde brothers play like their lives depended on it.  It’s camaraderie, it is respect.  I really dig/dug that.)

Next, a brief intermezzo to break down Yukon Blonde’s gear, as meager as it was (I mused while looking around the stage before they came on and had no idea they had their own drums because it was so small and hidden behind the Sheepdogs kit).  The road crew busied themselves with the business of sound, smoke machinery and superlative musical instrument precision and perfection.  Checking guitars and carefully lining up cold cans of Heineken.   Rock ‘n’ roll is a thirsty business after all.  During this time, I enjoyed banter with my concert cohorts, fought with the tracking ball in my Black Berry (upgrade coming soon) and jammed a little to the overhead music.  I’m pretty sure the last song we heard was something Creedence as I recall John Fogerty’s voice but it was soon squashed by a raucous roar of welcome when the Sheepdog guys took the stage, picked up their guitars, sticks and tambourines and tore into their set. 

You know what I love about the Sheepdogs?  I’ll tell you – while the music business becomes bogged down with music made by computers and strung together dance-beats (which of course have their place) the Sheepdogs harken back to a time when music was simple and honest and earthy.  Their groovy, laid back brand of boogie-woogie southern rock made me feel like I was standing in a frame of Cameron Crowe’s film (incidentally my all-time favorite flick) ‘Almost Famous’, like an acid flashback to the 1970s.  The Sheepdogs could easily have been on the bill with Stillwater.  I got caught up in the feel-goodery  conjured up by Leot Hanson’s blistering guitar solos, Sam Corbett’s punchy drum assaults, Ryan Gullen’s impressive bass lines, smooth organ sounds and even a little brass by way of trombone.  While I may have found Leot to be mesmerizing to watch, Ewan Currie was the capital.  He commanded the audience with ease, his smoky pipes and deft skills ruled.  I was also (unfortunately) the recipient of a generous spray of Leot’s saliva that flew from his mouth, one of the non-perks of front row.  I hope I’m not pregnant.

(Photo taken by the folks at Q104.  My head is directly under the bass player's knee.)

I don’t have any complaints about the show except for they gave up ‘The Way It Is’ really early in their show considering it’s such a smash hit right now.  It’s a short ditty on the record and felt like it flew by even faster live, likely because I love it so much.  I wish they had extended it, added a solo or a booga-loo to make it last longer.  When I first heard the song on the radio I was thinking, “Gee, that sounds Black Keys-ish.”  Turns out my ear is still keen, Patrick Carney, the Black Keys drummer assisted them in the studio.  Coolness.

It is safe to say that the coolest part of the show was the encore.  When the Dogs returned to the stage, they invited Jeff Innes from Yukon Blonde out and then surprised the blissed out crowd by welcoming our one and only, Matt Mays to the stage too for a rousing sing-a-long of The Band’s ‘The Night They Drove Old Dixie Down’. 

‘The night they drove old Dixie down
and the people were singing …’

Oh, and they were singing.

It was further accelerated when Yukon Blonde guitarist Brandon Scott (the dude I bought my CD from) climbed up on the barricade looking to crowd surf.  With a little help from a few of my friends we gave him a giant boost and watched him coast over a sea of eager hands until he disappeared.  Hope he made it out.

I left the venue feeling revitalized and sanctified by the powers of rock ‘n’ roll, happy to have shared a killer show with my good friend and her uber-cool spawn.  For a band I knew so little about, they really impressed me. 

No poetry today.  It’s all about the rock show.  I feel like I have smoker’s lung today.  The fog machine was in full steam and I still have a bit of a cold lingering so sometimes my voice gets squeaky.

In rock, we sacrifice.

All for now, keep on rockin’ in the free world.

In propinquity,
Nic

Tuesday, October 16, 2012

Curve Of The Earth


There’s no question that music is a great motivator for me, a wealth of inspiration and more often than not, I can’t write unless the stereo is on or I’m safe in my headphones.

For example, I’m working on a new short story which I will hopefully be able to write, polish and share here with you.  While getting to know the characters who introduced themselves to me, I found myself listening to ‘Big Band Cantina’ on iTunes radio, fitting for them and helpful for me to delve deeper into their story.  I sometimes like to ‘listen’ to my characters through music. It allows me to gain greater insight into their whole heart.

On occasion music inspires me in a completely different fashion.  Sometimes a song culls a piece of writing just because something moves me.  I am compelled to share this piece with you because I think the song is stunning and you’d be well advised to seek it out and have a listen.  Performed by Death on Mars from San Diego, recently nominated for a San Diego Music Award, ‘Curve of the Earth’ is beautifully sad and haunting.  In turn, I wrote a piece in homage, mixing my prose with the compelling lyrics.


Curve of the Earth



Everything is truncated.  And you don’t want to know the reasons; or that I know where the how is the why and the who is the what.  I’m not supposed to be here but here I am, swallowing down a simple prescription, humming temperance hymns and falling down for being proud. 

Blue means bruises …

I’m too young to kneel and too old to sequence together the frames of 2am TV and late night radio station static.  I’m misanthropic, any chance I get to deviate from the plane, to bend and shape, bow to resemble the pure arc of a charmed mood-altering ring, I pursue the path and suspend straight through until the regrettable end.

Taking advantage …

Wait, don’t stop reading.  I bought into the myth, so will you.  I am many things but I am not completely devoid of joy.  Look at me, so full of pant and drive, personifying the full assault of the senses the ripened continuation of my oeuvre warrants.  It’s natural movement, slow and sullen. It’s not a performance but a generosity.

Round and round and round we go …

Our correlation is slender but consequential.   I admit it is intricate and polarizing, pushed up against imposing scenery; multi-coloured, multi-layered, three dimensional, where land like sea is distinct from sky and I can’t tell us apart because we’re spliced together like a movie reel, the product of our heads governing our heart’s territory. 

Falling so fast …

Where was I after the crash?  I was idle, soaking up vivid depictions of confidence, setting words on fire, stirring the doggerel.  The tenacity of the action stretches you, lays you out, exposed, and leaves you thirsty for some type of parallel, any variation to a person, thing, a place, a memory.  And yet most of the time we reside flat, formal, a far cry from the anticipation and passionate reverberation our earnest imaginings and the acumen of our years dictate.

Drowning in fire, burning in water …

And what of you?  You are alone but infinitely superior to all.  You leave an unbelievable inscription on my integrated ingredients, elusive yet magnified, reduced, organized by irrelevant value.  And after all that you’re still poised to fracture, still restless, passive, at rock bottom, slouched against the headboard.  Your heart is wrung and yet mirrors a sliver of moonlight so minute that if you blink you might miss it.

Trying to stand still …

Life is full of surprises.  Unaccompanied I have become incongruous, a sore admission but accurate.  Creative impulses occupy the mind, a cause to celebrate yet the kindred assimilation of the notion chastises.  Perhaps the greatest love had the audacity to disarm, reducing it all to the fragrance of noise and an expurgated version of carefully constructed compromise, leaving me with an immense desire to weep -- despairingly so, unapologetically so.

Tripping over sidewalk cracks …

And again, you?  You laugh and raise your glass, masking your dormant sensuality with eloquent silence; a fact I knowingly underestimate to endorse my own secret longings.  And what a coincidence that we are both filled with some kind of reverberated light.  It is not contagious but exclusive and in good accord with all of the sobriquets lent to such things.

Weightless for now …

It’s like Charles Bukowski said, “There will always be something to ruin our lives, it all depends on what or which finds us first.  We are always ripe and ready to be taken.”  You can’t help but consent.  So, for now, the only proper thing to do, while we wait patiently to be annihilated is to drink and embrace the inherent strengths of deployed rapture, embracing the cusp of the night or the beginnings of morning.

Heels over head …

To avoid risking ridicule, to skirt being endowed with lacerating critiques, I relent, with my interior anesthesia, hang on the periphery of understanding, face blazed, orating an entire vocabulary stanch and articulate to transmit the temporary bliss of being blithe and buoyant.  All that is constant and paralyzing are not strangers to me and I may not offer anything of beauty or of extraordinary measure but when envy has a gift for you, you take it and pass it on.

Brown eyes turn to tears …   

Everything is abridged.  The whole mania is edited by conscious concern and patience in anticipation for the quantum leap.  You know the interchange.  You inspire it.  You encourage it despite my penchant for liking to be let down.  And if you stick around long enough I’ll be pixilated somewhere between the inflections of rhetorical choices and gradient flight.  I’ll swindle the floorboards up and lure the ceiling down, just because I can.

Overlooking the edge …




And in the end it’s like a song,

            a verse

            a chorus (times two)

            more verse

            more chorus (times two)

            the bridge

            the last chorus (times two)

            the fade out …

The curve of the earth never looked so perfect…

           

I’ve been slack on the blogging this month but you know how that goes when life gets busy.  I still scribble every day, read and do crosswords to stay sharp.  I even spent part of my Thanksgiving dinner coloring with the kids at the dinner table, anything to stay creative.

My goal this week is to piece together all of the bits and pieces I’ve scratched on paper for this new story I’ve got my head in.  It’s proving to be both a pleasure and a challenge.  I want to do these two justice so slow and easy it’ll be.

Until next time, stay classy.

In propinquity,
Nic