Tuesday, October 23, 2012

Curriculum Vitae, Ars Poetica


I was playing around with words today, stealing seconds and minutes throughout between busy spurts at my work desk.  I had difficulty focusing on any one thing for too long; my head has been pounding like a bass drum for forty-eight hours now but somehow I still managed to pull up my proverbial socks and stay lucid and poetic-y.  This verse was a mere shell, scratches on scrap paper and then I started working it around until it was singing up at me.  It’s a little on the esoteric side I know but I’m going to save this one for the next Open Heart Forgery reading.  I can’t wait to unleash it and read it aloud.

It’s really just about writers and what they do, how they do it, why and for whom.  I admit, I often would only write for myself but now that I have this little home on the interweb I’m content to share my words instead of hoarding them in writing books tucked away for safe keeping.  I’m all about letting words breathe now, less tense about releasing what I write and so pleased to have friendly readers (even if you don’t always enjoy or ‘get’ what you’re reading, I still appreciate you being here).


Curriculum Vitae, Ars Poetica  

Discreetly, in my own words
& in my own passionate assignation
I have anthologized my last soliloquy
& all that has escaped me.

With the aid of notable presence,
active exercises
& conceptualized patterns

supreme fiction and paradoxes
inhabit the middle.

What is written first
& the last voluble lexes
disclose the shapes of the world
mirrored against my internal theatre.

With ambition, I seek
stronger sympathies for artistic labor
by my oblique ability to infiltrate
rococo ingenuity & lure capricious counterparts.

I, without hesitation, by my own assertion
endorse charmingly ribald admissions
that the veneration of my elevated artist

is

imaginative realism
dominated by the constant desire
to upend conventional expectations.

Abstain your banishing of poetic currency
from the support of penciled illustrations
look forward to the precipice of peace
& permit me to push the margins of excess.

This bookish ideal has persisted for centuries
& whether it was meant to confirm or deceive
a litany of language remains a constant curiosity.

Cease to falter on a fulcrum of reservation
or consent your acute perspective to hinge
on egregious grammar & snarled semantics
it is certain the result is commonly chimeric.

Subtly, in my own pristine voice
& in my own arcane acknowledgment
I am the architect of a true sequential story
& all that I have been hard done by.

Don’t leave me to weep
don’t repudiate my place

or

deny me the challenge to
cultivate an audience for poetry.

It’s a writer’s life,
& an extraordinary duty.

Visit me, my entangled alliances
& my fine assortment of verses.

I am a good hostess,
let me read to you.


 **

And as a sidenote: once I’m finished reading John Taylor’s highly anticipated memoir Into The Pleasure Groove, I’m going to dig in and explore some of Wallace Stevens work.  How did I not know how wonderful he was before this!? I can’t wait to read every poem he’s written.

Second sidenote: thanks so much to everyone who stopped by to read ‘Whistle’.  I received so many lovely notes of praise and even some constructive criticism, all of which were so appreciated.  It was also quite a coo to have my Dad who has so often in the past toted my lust for writing as a passing fancy lament how much he liked it and proceeded to ask open-ended questions about the characters and then where I planned to submit it?  Alternate universe? Perhaps but still a welcome surprise.  So thank you again for taking time out of your busy lives to read and share your thoughts.  It means oodles.

In propinquity,
Nic

Wednesday, October 17, 2012

Whistle - A Short Prose Piece


I have been obsessed with the US election debacle.  In my downtime I spend some of it reading the latest news from the Globe & Mail, The Huffington Post and Salon.  Somewhere along the way, in my reading,  I saw a reader comment and the poster’s name was Joseph Whistle.  Quirky and unique.  It stuck in my mind and eventually a character started to form around the name, bones, beginnings and then he took full shape into the man I’ve come to know on paper as Joseph William Whistle. 

I promised myself I would get back into the practice of prose.  Obviously as you can ascertain from my blog posts, I have procrastinated.  I made a goal last Fall to write a short story.  Failed.  Then I made a promise to myself in the Spring, broke that promise.  It’s only now, having stumbled over such a peculiar name that I have written and finished (perhaps for now) and new piece of prose.  I shared it with a few friendly readers who offered kind words so I feel confident to share it here with you now. 

I also have to thank my Mom.  She proofread it for me and served as my second set of eyes, catching little oopsies that my familiar eyes kept missing.

Initially, the story belonged to Mr. Whistle but as I kept writing, Caroline’s voice became stronger and it was her POV that stood out.  It was such a pleasure spending the better part of this week with them, listening to Big Band music, exploring history and a love story sustained by friendship and the ability to overcome hardship in the face of adversity.  Their story is positive, passionate and spiritual. 

After reading ‘Whistle’ one of my friendly readers said that it reminded him of his grandparents.  His Grandma used to say she looked forward to going to sleep so she could see Sam, her husband.  It solidified my time spent with the Whistles and in a very clear way, made me feel like I had done them justice.

I hope you enjoy.



Whistle

“Of bowlers, bonnets, beanies and berets, you my darling Joseph William Whistle, look most dashing in the former.”   My husband loved when I’d say that to him as he pulled on his gray woolen overcoat, tied his favorite weathered burgundy cashmere scarf around his neck and topped his thin snow white hair with his reliable bowler hat; hard felt with a rounded crown and small curled rim. He’d sweetly reply, “Of all the sapphires, rubies and diamonds in the world, you my darling Caroline Isobel Whistle, shine brighter than them all.”   Faithfully, he’d kiss me softly against my cheek and be off to take Beans for a walk. 

Joseph loved Beans more than anything in the world. Well, Beans and his big band record collection of course. There were so many occasions where I’d arrive home from playing bridge at the Women’s League to find Joseph sitting in that old threadbare wing back chair, puffing on a pipe, reveling in the sounds of Dinah Shore or Harry James with that little brown terrier curled up in his lap.  So in love they were.  Man and dog, the best of friends.

We had a short courtship, a painful and frightening separation early on and a long, loving marriage.  He was the only man I ever loved, my purpose and my hero.  The days pass slowly now that he’s gone but I use my time wisely to remember bygone days fondly and to honour my husband’s life and his gifts to the world.

We met in early August, 1939.  Halifax was bustling and come fall I was slated for secretary school, a fair seventeen year-old with wide eyes focused on the future.  I spent summer days with girlfriends lounging on Silver Sands Beach, sunning and reading.  I was serious about escaping the confines of what was expected of women then, house-cleaning, motherhood, ‘female enslavement’ I used to call it.   I was smart, curious and nothing got past me.  Quite a quandary for my mother to have a daughter with qualities back then that could have been considered nuisances.  No man liked an intelligent woman with a head on her shoulders, except for Joseph Whistle.  In true Joseph style, he was horsing around with a few of his soldier buddies in the sand.  I was minding my own business and he went and tripped right over me, landing across my legs.  Flustered and sweaty, he looked up at my exasperated face and his broke into the widest of grins.  “I do believe I’ve fallen for you, little lass.”  I thwacked him with my newspaper in disbelief and he broke out in a fit of boisterous laughter.  I couldn’t help but laugh too.  His face, red with comedy and his strong handsome jaw line pressed into my leg caused a flood of dizziness through me, but it was his eyes, kind blue eyes that made me fall instantly in love with him.

Later that night, we waltzed in the dance hall and when it was time to part ways, he kissed my forehead, tipped my chin and backed away slowly, “You haven’t seen the last of me, little lass. Isn’t a snowball’s chance in hell I can stay away from you.” We were inseparable for the next few weeks, embarking on adventure after adventure, kissing in corners and talking.  Boy did we talk.  About our dreams, our future together, me with a good job making my own money, and someday after his time served in the military, his writing career.  Whistle was an audacious man, gallant; spirited except he wasn’t showy or arrogant but splendid.  He was respectful, had good manners, good looks, an exquisite wardrobe and impeccable taste.  We fit.  Perfectly.  In passion and in perseverance. It was a very innocent time.   I relish those early days together before the war.

The beginning of the Second World War fell on September 1st, 1939 when Germany invaded Poland.  Six days after war was declared Joseph joined his brothers of the 1st Canadian Infantry Division and landed in Britain on January 1st, 1940.  Every day he was gone was a struggle.  Our tearful goodbye left a giant hole in my chest.  It was so difficult to stay focused on my school-work, worrying and wondering if he was ok, praying, and I prayed so hard, for a quick resolution and his safe return.  We wrote letters, I more than him.  Once in a while I would find his handwritten assurances waiting for me in the mailbox, messages of hope and strength and sometimes desperation.  In every letter he would muse, “Your sweet face keeps me safe, my darling Caroline.  Wait for me.”  I’d always reply, “I’ll wait two lifetimes for you if must, my darling.”  And I would have.

My Joseph returned to Canada, one of the 540,000 wounded in the war.  Severe leg injury.  They told him he may lose it but managed to save it.  They told him he’d never walk without some kind of aid but he refused to believe it and worked tirelessly throughout his therapies.  He said to me one particularly trying day while trying to go without his leg brace, “Cazzy, as soon as I’m steady on both feet, I’m going to marry you and we’ll dance every day after.”  I held back my tears, encouraged him and said I looked forward to being his wife.   “We make a good team, little lass.”  We certainly did.

He didn’t talk much about the war.  About combat or the things he did or saw, especially not about his brief incarceration in a German POW camp.  I’d sometimes ask him questions when he’d wake up in a cold sweat from night terrors.  Hoping that perhaps talking about it would help alleviate some of the trauma he bottled up inside.  Those efforts were always unsuccessful and often my queries angered him.  I would wake to a heartfelt apology and a wash of sadness when he would say to me, “I don’t want to share the horrible things with you, Cazzy.  I need you to look at me with loving eyes, not fear or loathing.  The way you look at me is how I survive.”  I decided it was best to honour his wishes.  He lost so many comrades because of the war, the pain that invaded his eyes was too much for either of us to bear so we devised an unspoken agreement to leave the past behind us and work at moving forward.

Joseph trumped them all and was successful conquering the leg brace.  We were married at Christ Church in downtown Dartmouth, scattered family and friends present.  I wore a simple v-neck shaped neckline, with bust and waistline emphasized by soft shoulder gatherings, the veil was hip-length and scalloped with modest embroidery. Underneath the veil, my tresses were coiled in tight twists, the rollers were carefully removed so the curls would stay firmly in place which proved to be an arduous task.  Joseph, much to his dismay but at the urging of his over-bearing mother, wore his service uniform.  He had his heart set on wearing his recently procured bowler hat with a tuxedo style suit.  At his mother’s insistence though, he denied his own wishes and fulfilled hers.

There he was, my darling husband, gracious and sincere, mingling with our guests, raising the roof with his witty jokes and shenanigans, sweeping the dance floor with his mended leg, so agile you’d never know he'd suffered devastating injuries.

And so it began, finally, our life together.  I committed myself to a man with a startling eye for beauty, for intricacies, an untapped reserve for patience, someone who was emotionally sophisticated despite his time overseas.  I’d often tell him he was an old soul full of new life.  He’d quip with his prominent Whistle chuckle, “I’ve got eight lives left, little lass and I’m spending them all with you.”

I was doing well working as a secretary in the office for Woolworths, Joseph spent his days in our little house around the corner from the church we were married in, writing.  He had always intended to write long epic stories based on the history books he loved to read but when he sat down to write all that came to him were limericks, poems and children’s tales.  He wrote non-stop.  I’d arrive home for dinner every day and find him clacking away at his Underwood typewriter, pages strewn everywhere.  He delighted in his children’s writings and a publishing contract followed.  Joseph was a natural born story-teller, he’d visit schools and share stories with the children.  He loved their lack of pretension he said.  Joseph’s foray into children’s literature came from the fact that his war injuries hindered the ability to have children of our own.  There were no visible scars but the ones you can’t see are always the worst of them all.  To compensate, he’d throw his wild and colourful imagination into stories of dragons and fairies and far away lands full of adventure, puns, poems and prose.  Illustrated of course by his skilled hands.  “Publish or perish.” He’d always say with a twinkle in his eye.

Children’s literature led Joseph to a venture that we both made handsome profits from.  Publishing.  He branched out from writing to publishing and mentoring young writers.  I left my well-paying post at Woolworths so that I could work along-side my husband.  I answered his telephone, took his messages, organized his calendar, calculated his books and before long, Whistle Publishing was a full-fledged success.  Started off in our kitchen then grew so big we had to rent space in Halifax to accommodate our needs.  Every Christmas he and I would dress as Mr. and Mrs. Claus for our in-house Christmas party. Whistle could ho-ho-ho better than the real Santa they all said and those precious children would climb into Joseph’s lap and tell him what they wanted for Christmas.  They had no problem listing their wishes, a new bicycle, a doll, one boy even asked for a new nose because he sneezed too much!  Goodness, those parties were delightful.  One little girl looked up at Joseph and said in her small gentle tone, “Santa, do you have any children?”  He hesitated a moment too long, I saw him blink away a tear that sprung to his eye and replied, “All of the good boys and girls in the world are my children, dear heart.”  The tiny child in his lap nodded and added, “You’re the best father, Santa.  You take care of all of us pretty good. For Christmas, I wish for my Dad to be just like you.” As he undressed out of his Santa suit that night in the bathroom, I’m certain I heard him weeping behind the door.  Crying for the children we’d never have, the ones he so desperately desired.

Joseph’s inability to father any children of his own is why Beans became so important to him.  He was never much for animals but one afternoon he came home carrying a kennel and when he opened the grate this yappy little puppy poured out. He took great care to train the dog, heck, in the beginning he paid more attention to Beans than he did to me!  I didn’t mind too much, his furry companion made him happy and that was all that mattered.  I did however insist that Beans not be allowed in the bed.  He agreed but as even I grew fonder of him, the rule was broken more often than not until Beans weaseled his way between us nightly.  Joseph always used to say that human beings are prone to secrecy and he wasn’t much for secrets as they spur on lies and hinder authentic and true human connection.  That’s why he loved children and Beans so much.  He said, “No matter what, a kid is always gonna tell you the God’s honest truth. And your dog, well, you won’t find loyalty anywhere else like it. Rare commodities in this world, honesty and loyalty.  And of course there’s you, my darling Cazz.” He was always right.

I believe in Heaven because of Joseph.  He was such an intelligent gentleman and sometimes he talked to God.  From this place on earth, he was certain someone was listening in heaven, even before he became ill.

I was always moved by his vulnerable nature, often hidden to the world, even in sickness but he wasn’t afraid of weakness.  He embraced it.  Even in all of the tragedy he endured during his time in service, he used every nightmare to propel his reality to new heights of happiness.  He continuously flourished. He was content to live in the world and allowed every event to play out as nature intended.  He’d say, “No time to cry over spilt milk, little lass, I’m one of God’s soldiers, he never gives me anything I can’t handle.  It’s all part of the master plan.”  That was his philosophy.

When he got sick he said, “Don’t worry, my darling Caroline, I’m invincible.  I’m going to live forever.”  It was Whistle’s way of masking his fear of the cancer that invaded his body and settled in his bones. 

Our days were full of medical appointments, people poking and prodding and sticking needles in him.  Joseph would say, “I feel like a human pin-cushion.”  The vibrant man I loved for most of my life slowly started to weaken and take the shape of a stranger, even to himself.  The pain became intolerable but right up until he couldn’t stand it any longer, he walked Beans each day.

Joseph visits me in my dreams and together we take long languid walks.  His bones are strong, there’s a spring in his step yet his hair is still white as the driven snow.  He shares with me the architecture of Heaven, its colors, its denizens and that only in Heaven can you learn to truly love the world and only in Heaven are you privy to the true path to enlightenment and afforded the privilege of beautiful celestial music.  He says to me, “Listen carefully, my darling Caroline.”  And when I am still, standing with his warm hand in mine, eyes drinking in the golden sky above us, I can hear it.  A chorus of Angels, the most beautiful sound I have ever heard.  I smile and say, “I wish I could stay with you here forever, my husband.”  He squeezes my hand and whispers, “It isn’t your time yet, little lass.  You still have work to do.  Give us a smile.”  I hold him close feeling daylight drawing me from my dream.  “Greet the day, my love.  I am with you always.”

Those moments bedside in his final days remain some of the saddest I’ve lived and I’ve endured war, the loss of both brothers to the Germans, Joseph’s injuries and is long road to recovery and then the death of my parents, one right after the other to poor health.  Our conversations were silenced by the unpleasantness of pending loss yet our deep affection for one another indicated otherwise.  Hands clasped together, loving whispers spoke volumes, he said even though I would be the one left behind, he knew in his heart of hearts we were both at ease with death.  It was peaceful sitting together quietly allowing our unconditional love and the air we breathed in compose the end of our earthly story.  And even now that he’s been gone for some time, it’s the stillness I appreciate most.  It feels like Joseph, sounds like him.

It’s just me and Beans now.  Sometimes I sit in Joseph’s worn wing back chair, stroking the dog’s little head, he blinks sleepily and I talk to God.  I pray in thanks, that my journey intertwined with Joseph’s.  That such a strapping, handsome dare devil fell across my beach blanket and took such a shine to me.  I give thanks he returned to me from a war that claimed so many.  I offer gratitude for our good fortune, for our successes, for our failures and the lessons we learned from them.  But mostly, I pray that Heaven is just like my dreams and that when I am finished my work here in my humble human form, Joseph will be there waiting for me in the light, fashioned in his trusty bowler hat, arms open, welcoming me to our eternity together; his ninth life.  He did promise to spend them all with me.

**
In propinquity,
Nic

Tuesday, October 16, 2012

Curve Of The Earth


There’s no question that music is a great motivator for me, a wealth of inspiration and more often than not, I can’t write unless the stereo is on or I’m safe in my headphones.

For example, I’m working on a new short story which I will hopefully be able to write, polish and share here with you.  While getting to know the characters who introduced themselves to me, I found myself listening to ‘Big Band Cantina’ on iTunes radio, fitting for them and helpful for me to delve deeper into their story.  I sometimes like to ‘listen’ to my characters through music. It allows me to gain greater insight into their whole heart.

On occasion music inspires me in a completely different fashion.  Sometimes a song culls a piece of writing just because something moves me.  I am compelled to share this piece with you because I think the song is stunning and you’d be well advised to seek it out and have a listen.  Performed by Death on Mars from San Diego, recently nominated for a San Diego Music Award, ‘Curve of the Earth’ is beautifully sad and haunting.  In turn, I wrote a piece in homage, mixing my prose with the compelling lyrics.


Curve of the Earth



Everything is truncated.  And you don’t want to know the reasons; or that I know where the how is the why and the who is the what.  I’m not supposed to be here but here I am, swallowing down a simple prescription, humming temperance hymns and falling down for being proud. 

Blue means bruises …

I’m too young to kneel and too old to sequence together the frames of 2am TV and late night radio station static.  I’m misanthropic, any chance I get to deviate from the plane, to bend and shape, bow to resemble the pure arc of a charmed mood-altering ring, I pursue the path and suspend straight through until the regrettable end.

Taking advantage …

Wait, don’t stop reading.  I bought into the myth, so will you.  I am many things but I am not completely devoid of joy.  Look at me, so full of pant and drive, personifying the full assault of the senses the ripened continuation of my oeuvre warrants.  It’s natural movement, slow and sullen. It’s not a performance but a generosity.

Round and round and round we go …

Our correlation is slender but consequential.   I admit it is intricate and polarizing, pushed up against imposing scenery; multi-coloured, multi-layered, three dimensional, where land like sea is distinct from sky and I can’t tell us apart because we’re spliced together like a movie reel, the product of our heads governing our heart’s territory. 

Falling so fast …

Where was I after the crash?  I was idle, soaking up vivid depictions of confidence, setting words on fire, stirring the doggerel.  The tenacity of the action stretches you, lays you out, exposed, and leaves you thirsty for some type of parallel, any variation to a person, thing, a place, a memory.  And yet most of the time we reside flat, formal, a far cry from the anticipation and passionate reverberation our earnest imaginings and the acumen of our years dictate.

Drowning in fire, burning in water …

And what of you?  You are alone but infinitely superior to all.  You leave an unbelievable inscription on my integrated ingredients, elusive yet magnified, reduced, organized by irrelevant value.  And after all that you’re still poised to fracture, still restless, passive, at rock bottom, slouched against the headboard.  Your heart is wrung and yet mirrors a sliver of moonlight so minute that if you blink you might miss it.

Trying to stand still …

Life is full of surprises.  Unaccompanied I have become incongruous, a sore admission but accurate.  Creative impulses occupy the mind, a cause to celebrate yet the kindred assimilation of the notion chastises.  Perhaps the greatest love had the audacity to disarm, reducing it all to the fragrance of noise and an expurgated version of carefully constructed compromise, leaving me with an immense desire to weep -- despairingly so, unapologetically so.

Tripping over sidewalk cracks …

And again, you?  You laugh and raise your glass, masking your dormant sensuality with eloquent silence; a fact I knowingly underestimate to endorse my own secret longings.  And what a coincidence that we are both filled with some kind of reverberated light.  It is not contagious but exclusive and in good accord with all of the sobriquets lent to such things.

Weightless for now …

It’s like Charles Bukowski said, “There will always be something to ruin our lives, it all depends on what or which finds us first.  We are always ripe and ready to be taken.”  You can’t help but consent.  So, for now, the only proper thing to do, while we wait patiently to be annihilated is to drink and embrace the inherent strengths of deployed rapture, embracing the cusp of the night or the beginnings of morning.

Heels over head …

To avoid risking ridicule, to skirt being endowed with lacerating critiques, I relent, with my interior anesthesia, hang on the periphery of understanding, face blazed, orating an entire vocabulary stanch and articulate to transmit the temporary bliss of being blithe and buoyant.  All that is constant and paralyzing are not strangers to me and I may not offer anything of beauty or of extraordinary measure but when envy has a gift for you, you take it and pass it on.

Brown eyes turn to tears …   

Everything is abridged.  The whole mania is edited by conscious concern and patience in anticipation for the quantum leap.  You know the interchange.  You inspire it.  You encourage it despite my penchant for liking to be let down.  And if you stick around long enough I’ll be pixilated somewhere between the inflections of rhetorical choices and gradient flight.  I’ll swindle the floorboards up and lure the ceiling down, just because I can.

Overlooking the edge …




And in the end it’s like a song,

            a verse

            a chorus (times two)

            more verse

            more chorus (times two)

            the bridge

            the last chorus (times two)

            the fade out …

The curve of the earth never looked so perfect…

           

I’ve been slack on the blogging this month but you know how that goes when life gets busy.  I still scribble every day, read and do crosswords to stay sharp.  I even spent part of my Thanksgiving dinner coloring with the kids at the dinner table, anything to stay creative.

My goal this week is to piece together all of the bits and pieces I’ve scratched on paper for this new story I’ve got my head in.  It’s proving to be both a pleasure and a challenge.  I want to do these two justice so slow and easy it’ll be.

Until next time, stay classy.

In propinquity,
Nic











Sunday, September 30, 2012

Mash Up



It’s been an incredible week for me as far as music is concerned.  This time last Sunday evening I spent a peaceful evening soaking up Matt Epp’s acoustic excellence and last night I had the face blown right off my head with a rousing show at the Sea King Club care of The Stanfields.  With friends present, cheap beer sloshing around in my hand I stomped, sang and was blown away by the balls out, fist-pumping grit only The Stanfields can provide in the way of their distilled cocktail; punk hues, Celtic rock gumption and blistering delivery.  Their new record ‘Death & Taxes’ is a fiery collection of songs that stay true to all the dirtiest drunks in the history of liquor.  My favorite changes on every listen but the title track is just simply awesome and just as explosive live.  The Stanfields are a gang of rock warriors who band together to … well … show their chops and get you drunk off your arse with their wares.  They succeed in spades.  They are kicking off their tour with Gloryhound sharing the bill.  If they roll into your town, do yourself a favor and line up.  I dare you.

I have rock ‘n’ roll hangover today but managed to have a great brunch date and time to polish a new poem that I’ve been pecking at for a few days.  One of my newer pieces appears this month in Open Heart Forgery.  I’ve been following the American election as well as the politics on Canadian soil as well as our mayoral election that is looming.  Politics are a conundrum.  Everyone strives to be right, strives for the power, and will lie cheat and steal to get it.  I fear for the American people of Mitt Romney takes office.  Obama may not be a perfect President but allowing the GOP to take control will throw the nation back to the stone ages.  Scary that we live in a world where things like women’s rights and topics such as birth control are even up for discussion, being talked about by uneducated dolts who believe a woman’s body shuts the potential for pregnancy if she is raped.  Unreal.  Someone missed sex ed in grade school?  Let’s see how they’d feel if it were their daughters.  I’m of the opinion that people have the right to be who they are, love who they desire, pray to their chosen entity all with equal human rights and health care.  Seems like common sense to me.  Yeah?  Big business, war and the un-ending struggle to be the most powerful over-shadows our basic human need to live peacefully and happily.  Nothing is more certain than death and taxes.  Pun intended.

So, I wrote this poem in response to the overwhelming intake of political information of late and submitted it for the October issue of OHF.  Always such an honour to be published with other great local writers:


Mash Up

passionate discussion
unforgettable impression

pos.

derisive laughter
oppressive tradition

neg.

formal constraints
avant-garde aesthetic

opp.

illustrated audience

a mirror morphs into
a magnifying glass

advance your own agenda

subtle seize
visceral shock

muddled melee
tender tussle

true/false
right/wrong

&

the dangers of all
the things we take

for granted

**

Just as a reminder, if you live in the Halifax area, you can find copies of Open Heart Forgery all over town, in cafes, coffee houses, lobbies, nooks and crannies everywhere.  You are encouraged to forge it, share it and do it all over again the following month.  It’s such a brave and inspiring undertaking and so good for our area. I love stumbling across it when I’m in my travels.  Everyone needs a little poetry.

I wouldn’t typically share two poems in one post but as I said, I’ve been pecking at this new one now for a few days and feel like I’m ready to share it.  It sprung up after a quiet night I spent by myself, thinking.  Take from it what you need to but it soothed a deep ache that cropped up and surprised me.  My response to it was to write it out.


Wave of Staggering Loss

there is a detached mercy
that cannot be seen in us

as we stare into
self-descriptive sunlight

we are guided
perhaps misled

while reaching to accept
a wave of staggering loss

permissible
& audible

in a conflagration
of svelte language

intended to disarm
intended to defuse

unbendable nightmares

choreographed
by a nettled stir

converged
with a downward rapture

all designed to
question our brio

in accordance with
a degree of controversy

loss

our deconstruction
our keen denial

versus

our normative truth

**

And there you have it, a little of this and that, a little bit of poetry and now I’m going to set my iTunes to a new and awesome set-list I’ve prepared to aid me while I try my hand at making homemade fudge.

Hope your Sunday was full of love and peaceful feelings.

In propinquity,
Nic

Monday, September 24, 2012

Careful Abandon


I am firm believer in music, a devoted patron.  Last night my best friend Erica and I spent a peaceful evening stationed at The Carleton (in Halifax, Nova Scotia) to see my creative comrade Matt Epp play a one-man, acoustic show, part of his ‘Careful Abandon’ tour in support of his new acoustic record of the same name.

It’s always a happy occasion when Matt comes to town and that this time he was playing Mike & Mike’s premiere ‘listening room’ was a coo (that’s Mike Campbell and Mike Rhodes of Much Music fame).  The Carleton, for those of you who haven’t been, is a spectacular venue for intimate and interactive shows between artists and their audiences.  You are required to arrive, seat yourself, hydrate and heed the one rule of the room, ‘reserve quiet chatter for between songs’.  I am a BIG fan of this concept (like that of The Company House where I’ve also seen Matt perform).  I appreciate it because so often I’ve gone to shows and miss some of the power and the essence because senseless nattering is interrupting my intake.  I want to ‘listen’, absorb what an artist is sharing, not what so-and-so did on summer vacation.  I’m sure the stories are wonderful but I paid admission to see someone play, we can all talk later.  And, with someone like Matt, who shares straight from the deepest part of himself; it’s a privilege to be able to be still, be content and just listen.

Matt Epp is charismatic, a gentleman who makes music with a grateful heart.  His shoes are well-worn, touring and exploring the world, collecting stories, accumulating experiences and setting them to gorgeous music, always excited to be able to share them with others.  His extensive travels and expert story-telling ability make him an artist to be excited about, one to watch, follow and admire.  He is prosperous with the natural ability to communicate with others in earnest felicity through his unique soul-inspiring songwriting.  The songs he composes are rife with temperate ardor, kind-hearted humanity, spiritual reflection, tender in their goodness and always touch me.  His particular brand of artistic integrity, his effervescence and his soothing, angelic voice are only a few of the wonderful characteristics that make up the awesome-ness that is Matt Epp.

Erica and I sat ourselves at a cozy table next to the window overlooking a Halifax city street.  We shared a few delectable items from the menu, talking quietly until Matt took the stage, draped with two red heart red flags of ‘Amoria’ and set with a microphone stand, his guitars and simple stool holding his harmonica and a glass of water.  Every person present was there to see Matt.  They anticipated his arrival and welcomed him with a warm Nova Scotia reception. 

(performing a gorgeous Ryan Adams cover)

As usual, his show (of two sets and a short intermission) filled my heart to the point where it started to overflow.  I sat most of the time listeing, dangerously close to spilling tears.  It isn’t uncommon for me because his voice moves me.  He played two beautiful sets of songs both old and new, shared clever and silly stories in between with ease, audience participation included.  Particularly poignant was the story he shared about trip to Berlin where he was playing a show at the embassy.  He witnessed a tragic accident involving a young man on a scooter and a larger vehicle. He started his show with ‘Love Is Forever’ and talked about how the lyrics of the love song started to take on a whole new meaning to him because he watched the injured man’s clothes being cut away by paramedics.  It’s stories like these that bring his audience so close to the songs he shares.  It’s what I love the most about his shows.  My favorite moment though was when he played his last song of the night and realized he had nowhere to go when the room demanded an encore.  Being the cheeky guy he is, he hid behind the curtain on the stage.  For his encore, he asked what we’d like him to play.  Someone suggested more Bob Dylan (he shared a cover earlier along with a Sam Cooke tune and a lush Ryan Adams tribute after talking about working with his producer on his up-coming record with his full band due out next year).  After the Bob Dylan mention, someone else asked for ‘Orphan Horse’ followed by the suggestion he do ‘Orphan Horse’ AS Bob Dylan.  This struck Matt’s funny-bone and got everyone giggling.

It’s safe to say, after some quality time with Erica, taking in Matt’s show, talking with him a bit and two generous, bone crushing hugs later, my soul was well fed with kinship, music and laughter.  I really appreciate Matt’s generous spirit. He’s such a lovely human being and an exceptional artist.  I wish the whole world could sing in harmony with him because he understands the human heart, human decency and he believes in love, life and the whole crazy thing.

With careful abandon, I lost myself in his calming presence and his meaningful music.  I was touched by sincerity as he humbly thanked each of us for the accolades and for sharing the evening with him.  As with any event so anticipated, it went by so fast.  For now, I have a new acoustic record to enjoy until be passes through town again.  That and I snuck the gig poster from the front door of the bar as I left. But shhhh, don’t tell anyone.  It’s proudly displayed on my rock wall along with our ‘gangsta’ photograph we took together at the back of the bar.  If you want to see it, you’ll have come visit.  It’s pretty rad.

I strongly encourage you all to acquaint yourselves with Matt’s music.  You’ll be happy you did.

My next musical adventure:  The Stanfields this Saturday at the Sea King Cub.  I’ve been looking forward to that since August!

Heads are sure to roll.

In Propinquity,
Nic

PS - Matt recorded a song with Serena Ryder that I am SO pumped for!  I LOVE her.  And to have two of my favorite Canadians singing together is just solid gold.

Sunday, September 9, 2012

Fifty Shades of What?


For the most part, people think I am fabulous, unless of course we are debating E.L. James and ‘Fifty Shades of Grey’ phenomenon.  Don’t mistake me, I am not a prude; it isn’t the blindfold that offends me, I’ve been there and quite enjoyed the .. ahem .. outcome.  This trilogy that has decorated bedrooms, heated up book-clubs, discussed fervently on mommy-blogs and topped best-seller lists, is a bit of a conundrum.  Granted, it has people excited (pun intended) about reading and even I can’t balk at that and by several accounts, it has magically saved marriages and spiced up amorous relations but as much of a fan as I am of all of those elements, I cannot get beyond bad writing and unrealistic dialogue.  The reality is, sex sells and James’ books, that started as cheesy Twilight fan fiction and developed into Fifty Shades of Grey, landed a woman serving mid-life crisis antics through erotic musings on Time’s annual list of ‘The 100 Most Influential People’.  Really?  All it takes is writing down your dirtiest Team Edward inspired fantasies under the guise ‘Snowqueen Icedragon’ on a fan fiction site, changing the names and details and becoming a literary success overnight?  Erika Leonard James struck gold and good for her.  No writer needs to be poised to dismantle another’s success it’s just that it’s hard to imagine knowing there are so many talented, unpublished authors who work their fingers to the bone writing manuscript after manuscript in the hopes of achieving literary success and a slice of mommy porn fan fiction is what makes the grade.  Astounding in my humble opinion.

I have read several volumes of titillating erotica over the years with goose-bump inducing effects and language that’ll make you slide off of your chair.  Those pages worked for me because they were carefully crafted and well written without ever having to refer to anyone’s ‘lip biting inner goddess’.  Maybe I’m a snob but I prefer a little intelligence in my erotica, even perhaps a little poetry.  Double entendres go a long way in erotica, verbal foreplay and blocks in which to build sexual tension.  That’s what mama like.

Writing erotic fiction is not my strong suit.  I have attempted it in the past a few times, once just for fun and another for the sole purpose of arousing a partner.  It was a challenging exercise to try and not make it cliché or a collection of filthy four letter words.  I will admit, there were filthy four letter words involved in the piece but I worked really hard (pun again intended) to at least try to create an atmosphere steeped in the emotional desire I possessed for my lover.  The pages are long lost now but I wish I still had it so that I could see how I scored now in the light of James’ success. 

Did I mention before that the first time I was ever published it was in a local erotica poetry journal called ‘Desiderata’?  I was young, a teenager.  I discovered the journal at a local bookstore.  I read the submission guidelines and sent in my poem.  They accepted and I was thrilled!  I’d been working so hard, sending away work and query letters and getting rejection letters back faster than I could read them.  It was a welcome reward, to have my work received with excitement.  At that time, I was also eager to prove, especially to my father, I was serious about writing and how much I wanted to pursue it.  It was impossible for him to support my creative pursuits, when I’d talk about it he was always quick to dismiss it in favor of talk about more practical paths.  His insistence never did pull the pen out of my hand and when I received my free copies of the journal and my whopping $2 I made my poor Dad blush brighter than a tomato when he read my first published poem with the whole family present.  I felt validated and proud of myself for being so rebellious and for showing him I was indeed capable of this writing thing. (Side-note: I was actually paid $10 for my poem but I bought a subscription of the journal – I framed the $2 bill with a copy of the cheque and it sits on my writing desk to this day.)

So yes, not a big fan of the ‘Fifty Shades of Grey’ thing.  And Ann Rice's Sleeping Beauty trilogy is FAR superior if you're into that sort of stuff.  I read it ages ago.  I won’t be devouring the books like so many of my friends and family members have.  My impression is not sight unseen.  I did peek at the pages when I saw the first volume stationed on my friend’s coffee table.  The excerpt I read didn’t impress me, cementing my opinion.  I am on the nay-sayer’s side of the debate.  And like I said, I’m happy people are reading and saving their relationships and all that jazz, good on them, I just don’t buy into the hype.  I am curious though how the former TV exec will follow up her current success.  A trilogy loosely based on ‘The Avengers’ fan fiction?  I’d be ok with a human Thor and Iron Man sandwich.  Menage a YUM.

The following poem won’t catapult me into international fame, land me on any prestigious lists or have the boys breaking down my door but it’s original work:

Bedland Avenue

your palm pressing against the skin of my bare back, tactile
pulling me closer and closer to you, Champion of Flesh

breath quickens
cheeks flush

your gentle man fingers crossing the soft equator of my voluptuous centre
edging me closer and closer to something I will never be able to describe

muscles tighten
world releases

Bedland Avenue

the shape of you in the sheets
the smell of you in my hair
the size of you inside

you rolling yourself over flat on your back to allow me to climb new heights

push in the coin
open the curtains
cue the music

suspend

**

Cold shower time?  Maybe.  Whatever shade of grey you prefer, it’s sexy time.

In propinquity,
Nic

Wednesday, September 5, 2012

Like Most Revelations


I’ve been pre-occupied with life lately with little time for intellectual thinking, writing and blogging.  I’ve barely had time to read a book (speaking of which, I need some new reading material so if you have any book suggestions for me, fire away).  Between a nasty 24 hour flu bug, the Labor Day weekend and various other pesky things, I’ve been busy and to be truthful, a little zapped of my creative energy, blocked if you will.  Where are you, Steven Pressfield!? Gee whiz, didn’t I just talk about that?!  Hypocrites of the world untie!  Yes, I intentionally said untie.  My one stab at humour today. 

I finally managed to get my groove back a little bit working on a little something for another writer friend of mine and in turn, this poem built itself this afternoon, out of the blue.  Aided by the sound of the driving rain, a steamy cup of green tea and my favorite pen for scribbling, it was born.   I’m certain that I’ll revisit and revise at some point but I’m sharing it here and now because it was such a delightful surprise that for lack of a better phrase, brightened this grey day.

Interesting about revelations and/or epiphanies, do they actually have a lasting impact on us when they reveal themselves to our scattered minds and fragile hearts?  Like New Year’s resolutions, how truly strong are we as human beings to abide by the good intentions that are instilled from wanting better for ourselves or discovering a piece of information that can transform?  I have accomplished crazy things like teaching myself how to like peanut butter and yogurt yet I struggle to stand by something like Yoga because doing downward dog poses are going to help center my core and align my whole being or standing by the striking clarity about a particular event or situation and when PMS strikes or you see a face in a crowd that even though you said you were the ruler of your own universe can obliterate your starship to dust.  It begs the question, do revelations really change us or do our mood, location, company, and outside influence sway us back to our old ways of thinking and/or feeling. 

Just something to ponder.  I think perhaps it’s equal helpings of both.  You decide for yourself.

The poem:

Like Most Revelations

Like most revelations
it is the intonation that resonates
more than the implication
it is the accumulated wisdom
that weighs down

the out-lived
the out-numbered
the ousted

Like most revelations
it is the sensation akin
to letting go of black daylight
that reverberates the
prolonged proportions 

of truthfulness
of gracefulness
of repose

Like most revelations
they move out and down
they move back and up
from the outside inward
and nestles

down
deep

Like most revelations
it is the insinuation of
augmented knowledge
that misleads the limits
we alter ourselves

because

we believe we are exposed
when the conversation turns

panegyric 

**

Enough out of me today.  

In propinquity,
Nic

PS - Holy POOP, it's September!