Showing posts with label Philip Seymour Hoffman. Show all posts
Showing posts with label Philip Seymour Hoffman. Show all posts

Saturday, March 8, 2014

Burn


I am sorry to say that the stories you are requesting to read should be kept safe.  Stories about a face I have all but forgotten now.  The words, carefully written in undemanding times, a rash of clandestine sittings, about the ease of lyrical beauty and in the end, inaudibly translated into the language of conflict.  They are ghost stories, still and frightening.  Smoldering in an era that has long since passed.  They are a surreptitious reminder of joyful, aching delights.  Vivid accounts of a different time.  And, because you weren’t there, it will be impossible for you to understand.  But, since you asked, I will to my very best to relay the essence. 

It burned.  It was not a pleasure.  The end.  After we dug the trenches so deep.  Above all, I learned the heart is the most deceitful of all things.  Mine misled.  You know that delicate sweetness that consumes you when love is fresh and ripe, like plump rosy raspberries in rich cream spooned into a hungry mouth with a shiny silver spoon?  That subtle mellifluousness invaded my psyche and settled somewhere in the middle of my chest and opened me up to uncharted wonders.  With the grace of a fairground conjuror, smells and tastes, the sights and sounds heightened.  He entranced.  I could no longer decipher love from anarchy, exactness from indecision, and the aces from the spades.  I advanced.  Grew into my seraphic skin, the stones no longer rolled downhill.  My heart beat vermilion.

He was an illogical step to take.  Alone, I was introverted.  With him, voracious.  For meat, for miles, for everything I could consume, touch, occupy and own.  Without him, barren.  Plagued by the blur of armed guards denying me entrance to Eden.  It burned.  Scorched.  Charred.  Singed.  Bled explicit pigments of uncontrolled fire.  Vivid reddish orange hues. Result, ash.  My engagement with the world expired.  I wrote countless poems to exact the idea that fortune fades even when one has a tendency toward fever.

Trying to pluck a selective memory to share, a valuable account, an inviting snapshot to convey how living was enriched by the presence of lost love, you soon come to admit that all of the moments matter before the exodus.  His features are now altered in my mind’s eye but the first time he presented himself to me remains treasurable.

He was exquisite.  In the fog.  On a sidewalk in the city at dusk.  At first glance, he stripped me of my power.  I can’t tell you if it was the tilt of his head, his damp dark hair haphazardly veiling his deep eyes or the contour of his form leaning lazily against a brick building.  Fussing with his cellphone.  I paused to reconsider my entire purpose.  The next day we met in the park, he sat on the tentative bench next to me slouched forward eating a creamy hunk of cheese with a pocket knife while I sipped on a peppermint tea.  The insouciance, the peacefulness of the twinkling just being there together transferred into an extraordinary succession of tomorrows.  He tried to kiss me, I pulled away.  He said, “You may resist now but you will relent.”  I did.  Foolishly.  Living on borrowed time, its interior, bruised with disenchanted décor.  This I know to be true.  It was my impermanent home.

It burned.  Wounded.  Disfigured.  He shuffled off in dark suit to another.  And since, sidewalks offend.  Fog dismays.  Tea sours.  For a time, I forgot the weight of the world.  For a time.  Perhaps I am being impertinent.  Perhaps it is ambivalence.  Or it could just be you asked this of me and being indolent is far easier than being candid.  The scourge seared.  Nights went from provocative to stifling.  Hot hands replaced with cold pillows.  Mornings went from lazy to lethargic.  Lingering lips replaced with lonely limbs.  Subterfuge, it is an act of derision. 
It burns.  To be pallid.  To be insecure.  To be forsaken.  Denied.  I cannot comprehend how I will ever be able to bend for another.  It burns.  To be left.  To be doubted.  Discarded.  It burns.  To know that all that ever was is nothing more than blithe ignorance, to lose someone who deflated all of your pretentions, someone who fortified you, burns.  I burn.  Smoked out of happiness.  It burns

Now, when I speak I speak in monologues.  Small speeches, tiny tirades.  Now, when I cry it is in spurts and when I write stories I mar lined paper with mess.  Nonsensical pages about contrarian characters and sadness with a precarious new voice, writing about old things I no longer understand.  My stories should be kept safe.  Private.  Reserved.  My with-holding, an act of self-preservation.  A desperate attempt to extinguish the flames.  To cool. 

Because, I burn.  Still.

**

Friends of mine have started doing writing exercises together and so today because I desired to challenge myself to a few new words, I am piggy-backing on their exercise, using the word 'burn' to create from.  I wrote a messy and dull passage above but I enjoyed the writing session.  I had wine, I had music, paper and a new pen, some books, my dictionary close and my comfy clothes to chill in.  It felt good to write despite the fact that what resulted from the exercise was sludge.  

In other writing news, I am also thinking about going back to an unfinished piece I started awhile back and abandoned.  I am considering it as my next project.  I read through it and it really needs to be finished.  I found it hard to write when I first started it because one of the characters is just so careless, inconsiderate and in some ways absolutely cruel and self-involved.  I don't identify with those traits so spending time with her was caustic.  A little bit painful.  Before I tackle Alf Minor's story, I think I really want to finish that one.  It may take some time but that's my plan.  

With that, I am going to retire now to my blankets and pillows for a movie.  I bought a few today for cheap while out shopping, one of which was 'One Flew Over The Cuckoo's Nest'.  That's a contender. My Philip Seymour Hoffman film festival is still on-going.  I'm waiting for the arrival of 'Love Liza'. So for now, while I wait patiently, I'll dig into some classic cinema.

Tomorrow I have mail to prepare and a long over-due letter/review to get out to Ru.  No numbers this weekend.  It's ll about words and stories and music.

However you spent your Saturday, I hope it made you happy.

In propinquity,
Nic










Wednesday, February 26, 2014

Fictive



Fictive

You had a penchant for archaic insults
I artlessly and wholly without confident poise
contracted the invectives and resourcefully
worked them into hymns about you being good.
It was no minor requisite to be close to your heated side
a ravening need that marked the preferment of the watershed.
It is accurate that we were the strangest of bedfellows
passing through a shroud mistaken for a liar’s length of love.
Your selfish motive made every bewitching second fictive
my countenance fell as you broke away one lazy limb at a time.

Eithering dreams?

I carefully contemplated the weight of it all
your inconceivable forgery incited acts of vehemence
like my vandalising covers of romance novels
like my making friends with unfortunates
like my meditating on the hurried expiration of your face.

I assembled the artifacts of our wasted days
I wrote the nights down into the slowest of pages
the most downhearted attempt to fill the silence
to forget the strong current of your sideways beauty
and the sound of your voice singing slightly out of tune.

I walk with pilgrim’s progress as if I might accrue joy to replace placated despair
still there is this nagging feeling that my insides do not belong to me
either a complicated cautionary anecdote or a reluctant compromise to forget.

A single act of make-believe depleted my patience for the strains of love.

Fictive.
Indicative.
Vindictive.

Eithering dreams?

**

A friend challenged me to a writing exercise just now, using the word 'fictive'.  Curled up with some tea, a warm sweater, a half empty box of tissue to keep my runny nose clean and the new Carleton Stone record spinning, I wrote.  Well, I typed.  Same thing I suppose.  In a fresh word document, the word 'fictive' became the title and a poem came.  I pondered prose but I didn't resist what came.  If a poem materializes I never mind too much.  I got lost in the music and banged out this poem, untouched, in about 40 minutes.  Boy, after only really writing my homage to PSH, it felt good to flex the creative muscles and get a poem down.  I am *still* pondering the lives of Alf and Josh.  I *will* get it started, I promise.  

But for tonight, an exercise, which in my mind is better than no writing at all, even if it's just foppy gloop.  It's writing, words, from me.  That counts.

Two more work days and it'll be time for a blast to the past via a Platinum Blonde show.  I hope my sniffles and sneezes had expired by then.  I've really been looking forward to the show.  Fingers crossed.

Time to top up my tea and recline.

In propinquity,
Nic







Sunday, February 16, 2014

Beautiful Helplessness


Beautiful Helplessness

I am not willing to accept the world is without a man
of unfathomable range & a remarkable inventory of art
I wonder if he let himself be surprised by his grandeur
the kind that broke through the noise to quiet our cores
I imagine him falling upwards in beautiful helplessness
his endangered spirit held hostage by an addict’s bargain
measuring a severe distance from celluloid to Heaven
a banal romance expressively trenchant & lastly ruinous

I am not willing to accept the world is without a man
who delivered a tiny fraction of what he was meant to do
to touch the marvelous depths of every breathing thing
to tabulate immaculate perception through artful elations
I imagine me rescuing him from a tremendous darkness
to return his pensive stare & wicked smirk & muted orange
hue back to the refuge of earth & oceans & sooty city streets
a valiant response to his urgent audience in profound mourning

I am not willing to accept the world is without a man
whose efforts leave me inconsolable & arrowed in the heart
yet fortified in my creative disposition & ambling toward ecstasy
the trajectory of his brilliance was boundless & commanding
it projected an upside down reflection to be staunchly revered

I am not willing to accept the world is without a monumental man
& just how his absence will be calibrated is yet to be determined
those of us drowsy flowers left behind bend in the sad music on the wind
bankrupt of the currency lost in a single drought of one incomplete story

I am not willing to accept the world is without a man who smoldered
until his last breath shattered him into a billion pieces of silver star-lite

**

Philip Seymour Hoffman's death had a grave effect on me.  He has long been one of my favorite actors and I have always appreciated his creative process, his work ethic and his incredible body of work. When I learned he had passed, I began a long homage to him by way of watching and completing my collection of his films.  My tribute via this film festival has been an incredibly inspiring and at the same time a gut-wrenching experience.  He is commanding in every single scene he has ever done, whether he has a cameo, does a voice-over, is a supporting actor or the lead.  He makes you take notice, he demands your undivided attention, he envelopes you.  It is surreal that he has expired.  It is unbelievable that we will deprived of his cinematic genius forever.  The above poem may be trite and cliche and somewhat elementary but not since Heath Ledger's death has any actor's passing touched me so deeply and caused my heart to ache.

I love Philip Seymour Hoffman, I always have, I always will.  This, my tiny eulogy to a man worth so much more than a few pithy words in a poor poem by an amateur.

In propinquity,
Nic