Showing posts with label keeping the drama on the page. Show all posts
Showing posts with label keeping the drama on the page. Show all posts

Thursday, October 24, 2019

Making Up Is Hard To Do


Making Up Is Hard To Do

the last time I saw her
she was in the kitchen
making sauerkraut soup
in a pressure cooker

in the time it took her to
brown the bacon, onion
and garlic in oil she was
done with my excuses

the curt nod of her head
and the flick of her hand
was my clear dismissal
I obeyed her direct order

            I’d rather have
found a way back into
her good graces – to be
able to sit across from her

with a bowl of that soup
a slice of warm country
bread smothered in butter
a grilled sausage

and her sitting across the
table from me, laughing

if she only knew
how truly sorry I am

***

The smallest detail of a recipe in newsprint inspired this poem. The second after I saw it, I jotted the whole poem down in the margins of my crossword puzzle. It’s two parts outward spark, and two parts truth. The regretful feeling in this piece is very real. For me, it’s healthy and helpful to work it all out on the page, keeping the drama where it belongs. In art and outside of myself.

In propinquity,
Nic





Wednesday, November 28, 2018

I Still Hear Your Voice



I Still Hear Your Voice

            I still hear it
your voice in the halls
vibrating up through the
floorboards
            calling my name
singing ‘High Flying Bird
shooing the cat away from
your desk lamp or while you
sewed well-traveled patches
on your quilt
            I still hear it
your voice
your voluminous laughter
echoing in the rooms you’ve
left empty
living-rooms, dining-rooms
dance halls
            and I still hear it
the buzz
of machines in time
with your lungsful
drawing oxygen deep
exhaling in emergency
            it’s always there
the slow outbreath of your last
moment
            an Angel’s soft sigh
you bloomed in freedom
I wither in grief
I still hear it
the sounds of you
                                    especially
when I feel stranded in my joys
            and when I hear it
I look for the rendering
of your
human guise
for a soliloquy
any kind of refrain
I still hear it
            and it kills me

***

Another poem for my dearly departed sister. When I feel the hurt settle in, the reality, the only way I know how organize it is on the page.

I miss you, Big Sister.

In propinquity,
Nic


Monday, September 24, 2018

My Paralell



My Parallel

“… you realize a poem is buried in there somewhere (in the unconscious) … there is a lot of unconscious truth in a poem. As you see me now, I am a lie.”Anne Sexton

Here it is
a cold hard truth –
this poem is an ultimatum.
I refuse to mince words. This
lunge, heave, & knock under
the blackest of suns, it is not
living.
It is a definite kind of sorrow
a simmering demise, no wiles
could confuse. It is the most
lucid admission I can propose.
I am no longer meant for this
cutting animation. I could pen
poem after poem to ease you
but they would be lies after lies
after lies, as I am ideologically
unsound. This is not rhetoric
nor is it a threat but simply an
attempt to valorize the requisite
for voluntary exile. I know that
I am a conscious creation and I
have tried too hard to live by
painstakingly ruthless editing,
revising, polishing my veneer
but the language of madness
swayed me into the sinuous
sphere of Death’s clean clinch.
You can go ahead and try to
dismantle of the myth of me.
Be sure to include the fact I
was resistant to the corrosive
battle toward artistic sincerity
that I bowed out not for weak-
ness but in strength. I chose the
trees, the fish, the Moon, water
the rain, river and oceans, caves,
Angels, and a voice speaking
only to me in fairytale and fiction.
I cannot highlight the contingency
plan for you. There is none. There
is only the affirmation of absolute
divinity. Do not cry for me. I am
not praiseworthy for your tears.
You in your judgement and your
acrimony have made that quite
clear.
You are relinquished of all agency.
Leave me to soft hymns, and a true
internal measure set to sing me home.
You might hear me linger in frank
laughter some time or in a postponed
heartfelt prayer you might recite to
yourself when you’ve realized it is
too late. You might catch a glimpse
of my old body when the wind stirs
in the bleached sand beneath your
summer feet, maybe even in a star.
And, at last let me make myself
perfectly clear – I am not ashamed.
Not of disappearing into the ether
and not for following in the valiant
footsteps of those who have struggled
                        and succumbed.
I will be free.
Of ache.
Of verdict.
Of the attention afforded.

***

I probably shouldn’t be reading poems by Anne Sexton or about Sylvia Plath right now while a loved one has taken quite ill. Alas, reading and now this uber heavy writing has helped me to put some of this anxious energy and overwhelmed-ness somewhere and direct my ire away from tempting targets.

I am not myself so you’ll have to forgive me if I’m forgetful or distracted or unable to show up for something or say the right things or act how you are used to. It doesn’t mean anything other than I am tired and sad and even a little frightened. I will be blunt and admit I care little for the opinions of others, especially now. I will not accept judgments and/or vitriol in my loved one’s name, even in my own but will fight for her because she is unable. It’s what family does or what they are supposed to do. It’s simple, if you’ve got nothing nice to say …

My heart is the heaviest it has been since losing my father and I am painfully aware some don’t and won’t understand. I don’t need you do. All I ask is for kindness because at this time I’m not open for any other kind of business.

In propinquity,
Nic